File:Edward Onslow Ford (1852-1901) - The Singer (1889) and Applause (1893), more or less face to face for the first and so far the only time - Tate Britain, Sep 2010 (15050797770).png

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Description You could look on this one as "arty" or "impressionistic"... but in reality it's just blurred. However, the title pretty much says it all. It's a rare record of the only time Ford's two Egyptian girls were ever seen together. The Tate website has a feature about them that actually states that the two are best viewed as a pair. So what has the Tate done since then? It originally put ONE of them back on display and kept the OTHER locked in the vaults. When they finally took the other one out of the vaults they put them in the same room, but at right angles to each other so they have no meaningful spatial relationship. Seriously? An art gallery that doesn't appreciate spatial relationships?? Where are those people's heads at?
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Source Edward Onslow Ford (1852-1901) - The Singer (1889) and Applause (1893), more or less face to face for the first and so far the only time - Tate Britain, Sep 2010
Author ketrin1407

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This image was originally posted to Flickr by ketrin1407 at https://flickr.com/photos/65986072@N00/15050797770 (archive). It was reviewed on 18 June 2019 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0.

18 June 2019

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current17:03, 18 June 2019Thumbnail for version as of 17:03, 18 June 20192,014 × 3,039 (9.68 MB)Ham II (talk | contribs)Transferred from Flickr via #flickr2commons

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