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File:Duomo (Padua) - right arm of transept - Madonna dei Miracoli chapel.jpg

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Duomo (Padua) - Madonna dei Miracoli chapel

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Mattia Carneri: :English: Chapel of Our Lady of MiraclesFrançais : Chapelle de Notre-Dame des miraclesItaliano: Cappella delle Madonna dei Miracoli   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Mattia Carneri  (1592–1674)  wikidata:Q3852294
 
Description Italian sculptor and architect
Date of birth/death 7 June 1592 Edit this at Wikidata 13 October 1674 Edit this at Wikidata
Location of birth/death Trento Edit this at Wikidata Trento Edit this at Wikidata
Authority file
artist QS:P170,Q3852294
Title
English: Chapel of Our Lady of Miracles
Français : Chapelle de Notre-Dame des miracles
Italiano: Cappella delle Madonna dei Miracoli
Description
English: On the left side of the chapel is the sepulchral Gothic monument of Cardinal Francesco Zabarella (1360-1417), bishop of Florence and professor of canon law at the University of Padua. The monument is completed at the top by an ogival archosolium surmounted by five statues with the Madonna and Child and four saints, perhaps of Rinaldino da Francia (1397) and decorated with frescoes, with the Annunciation. Under the arcosolium, a canvas depicting the Crucifixion of Luca Ferrari of Reggio. In the apse of the transept, a large baroque altar that supports the image of the Madonna and Child in tempera, an ancient tradition that it is owned by Petrarca and that he himself considered painted by Giotto and given to Francesco il Vecchio da Carrara. Former property of Antonia Zabarella, it would have been given by itself to the cathedral. Nowadays the painting is considered as a work executed at different times and by different artists: the Byzantine Virgin and Child may have been executed by a Venetian of the thirteenth century and the architectural context is attributed to an artist of the turn of the century. 14th century.
Français : Du coté gauche de la chapelle le monument gothique sépulcral du cardinal Francesco Zabarella (1360-1417), évêque de Florence et professeur de droit canonique à l'université de Padoue. Le monument est complété au sommet par un arcosolium ogival surmonté de cinq statues avec la Vierge à l'Enfant et quatre saints, peut-être de Rinaldino da Francia (1397) et décoré de fresques, avec l'Annonciation. Sous l'arcosolium, une toile représentant la crucifixion de Luca Ferrari de Reggio. Dans l'abside du transept, un grand autel baroque qui supporte l'image de la Madone et de l'Enfant à la détrempe, une tradition ancestrale veut qu'elle est appartenue à Petrarca et qu'il a lui-même considérée comme peinte par Giotto et donnée à Francesco il Vecchio da Carrara. Ancienne propriété d'Antonia Zabarella, elle aurait été donnée par elle-même à la cathédrale. De nos jours la toile est condidérée comme une œuvre exécutée à différentes époques et par différents artistes: la Vierge à l'Enfant byzantine a peut-être été exécutée par un vénitien du XIIIe siècle et le contexte architectural est attribué à un artiste du tournant du XIVe siècle
Italiano: Sul lato sinistro della cappella si trova il monumento sepolcrale gotico del cardinale Francesco Zabarella (1360-1417), vescovo di Firenze e professore di diritto canonico all'Università di Padova. Il monumento è completato nella parte superiore da un archosolio ogivale sormontato da cinque statue con la Madonna col Bambino e quattro santi, forse di Rinaldino da Francia (1397) e decorato con affreschi, con l'Annunciazione. Sotto l'arcosolio, una tela raffigurante la crocifissione di Luca Ferrari di Reggio. Nell'abside del transetto, un grande altare barocco che sostiene a tempera l'immagine della Madonna col Bambino, un'antica tradizione che è di proprietà di Petrarca e che egli stesso considerava dipinto di Giotto e donato a Francesco il Vecchio da Carrara. Ex proprietà di Antonia Zabarella, sarebbe stata donata da sola alla cattedrale. Oggi il dipinto è considerato un'opera eseguita in tempi diversi e da diversi artisti: la Vergine e il Bambino bizantino possono essere stati eseguiti da un veneziano del tredicesimo secolo e il contesto architettonico è attribuito a un artista del volgere del secolo. 14 ° secolo.
institution QS:P195,Q2407092
Current location
English: Fifth chapel on the right in the transept arm
Français : Cinquième chapelle de droite dans le bras du transept
Italiano: Quinta cappella a destra nel braccio del transetto

Photograph

Date Taken on 24 May 2017
Source Own work
Author Didier Descouens
Permission
(Reusing this file)
This file is copyrighted and has been released under a license which is incompatible with Facebook's licensing terms. It is not permitted to upload this file at Facebook.
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Other versions
  •   Tomb of Cardinal Francesco Zabarella
      Tomb of Cardinal Francesco Zabarella
  • Tomb effigy of Cardinal Francesco Zabarella
    Tomb effigy of Cardinal Francesco Zabarella
  • Choir organ in right transept
    Choir organ in right transept
  •  Madonna dei Miracoli chapel
     Madonna dei Miracoli chapel
  • Icona della Madonna dei Miracoli
    Icona della Madonna dei Miracoli
  • St Peter by Bernardo Falconi
    St Peter by Bernardo Falconi
  • St Paul by Bernardo Falconi
    St Paul by Bernardo Falconi
Camera location45° 24′ 24.04″ N, 11° 52′ 20.73″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

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