File:Drawing - from Sketchbook - circa 1513.jpg

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Captions

Captions

In the book "Eros Visible Art, Sexuality and Antiquity in Renaissance Italy," this image is attributed to Gian Giacomo Caprotti known as Salai. "Annunicating Angel" (Angelo Inacrnato) c 1513. Drawing has also been attributed to Leonardo da Vinci.

Summary

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Description
English: This image is a photo of the book; "Eros Visible

Art, Sexuality and Antiquity in Renaissance Italy", James Granthum Turner, 2017.[1]


In this book the details of this image are given as:

"Here attributed to Gian Giacomo Caprotti known as Salai, "Annunicating Angel" (Angelo Inacrnato) c 1513. Black chalk, electronically 'cleaned' to remove staining, 26.8 x 19.7 cm. Private collection, Los Angeles."[1]

This drawing has also been attributed to Leonardo da Vinci.


It has been commented that "A small pinhole at the top centre of this Angelo Incarnato sheet suggests that it was tacked up in the studio."[1]

The drawing first emerged in 1991.[2]

It has also been commented that "...the Oxford St john the Baptist... ...matches the 'angel' drawing in outline...".[1] There is a painting of St John the Baptist by the studio of Leonardo in the Ashmolean Museum, Oxford
Date
Source

"Eros Visible Art, Sexuality and Antiquity in Renaissance Italy"

James Granthum Turner

Yale University Press ·

2017

ISBN:9780300219951, 0300219954
Author James Grantham Turner
Other versions
  • In this image the chalk drawing has been superimposed onto a second painting. The second painting is St John the Baptist by the studio of Leonardo in the Ashmolean Museum, Oxford. 1510 - 1519
    In this image the chalk drawing has been superimposed onto a second painting. The second painting is St John the Baptist by the studio of Leonardo in the Ashmolean Museum, Oxford. 1510 - 1519
  • A second version of the same drawing.
    A second version of the same drawing.
Camera location33° 53′ 13.59″ S, 151° 11′ 24.34″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Licensing

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  1. ↑ a b c d James Grantham Turner (2017) Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy, Yale University Press ISBN: 978-0-300-21995-1.
  2. ↑ James Grantham Turner (2017) Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy, Yale University Press ISBN: 978-0-300-21995-1. "Even before the emergence of the phallic drawing in 1991, it was common to find an inescapable ambivalence in the Leonardesque smile."

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