File:Drawing (BM 1893,0731.20).jpg
Original file (889 × 1,600 pixels, file size: 187 KB, MIME type: image/jpeg)
Captions
Summary
[edit]drawing ( ) | ||||||||||||||||||||||||
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Title |
drawing |
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Description |
English: Design for a chalice; decorated with figures, scrolls and putti
Pen and brown ink, on vellum |
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Date |
15th century date QS:P571,+1450-00-00T00:00:00Z/7 |
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Medium | vellum | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1893,0731.20 |
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Notes |
Venetian XVc. Lit: A.E. Popham and P. Pouncey, 'Italian drawings in the BM, the fourteenth and fifteenth centuries', London, 1950, I, no. 327, II, pl. CCLXXX. Popham & Pouncey 1950 Of the scenes from the life of Christ surrounding the bowl of the chalice, those visible are, from l. to r.: the 'Resurrection of Lazarus' (?), the 'Entry into Jerusalem', the 'Agony in the Garden', the 'Betrayal of Christ', 'Christ before Herod (or Pilate)', and the 'Flagellation'. In niches round the knop four standing male figures are visible, the second and third of whom are S. Peter with his keys and S.John (or Christ) holding a chalice. The traditional attribution to Mantegna was retained until the exhibition of 1895 when Colvin, in the 'Guide', described this drawing as being Venetian and more particularly of the school of Murano. This seems to be a correct diagnosis and it only remains to note a general resemblance in taste and style to the large canvas of the 'Virgin and Child with the Doctors of the Church', signed by Antonio Vivarini and Giovanni d'Alemagna and dated 1446, in the Venice Academy (Van Marle, xvii, fig. 7). A slightly later date is indicated for the drawing by traces of Squarcionesque influence in the folds of the drapery and by the likelihood that fashion in the applied arts lagged behind that in painting. Literature: B.M. Guide, 1895, no. 46; A. M. Hind, Catalogue of Italian Engravings in B.M., 1910, pp. 292 f., under no. 29. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1893-0731-20 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:21, 12 May 2020 | 889 × 1,600 (187 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Drawings on vellum in the British Museum #170/1,318 |
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Metadata
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Image width | 3,272 px |
Image height | 5,890 px |
Color space | sRGB |
Software used | Adobe Photoshop CS2 Windows |
Date and time of digitizing | 12:01, 11 October 2007 |
File change date and time | 12:03, 11 October 2007 |
Date metadata was last modified | 12:03, 11 October 2007 |