File:Drawing (BM 1890,0512.81).jpg
![File:Drawing (BM 1890,0512.81).jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/d/db/Drawing_%28BM_1890%2C0512.81%29.jpg/488px-Drawing_%28BM_1890%2C0512.81%29.jpg?20200513141318)
Original file (2,015 × 2,474 pixels, file size: 849 KB, MIME type: image/jpeg)
Captions
Captions
Summary
[edit]drawing
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Title |
drawing |
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Description |
English: Portrait of George St Lo; bust to right, head to left, eyes to front, wearing large curling wig, to left sitter's arms with motto 'Proteo Contrarius'. 1704
Graphite on vellum |
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Depicted people | Portrait of: George St Lo | |||||||||||||||||||||||
Date |
1704 date QS:P571,+1704-00-00T00:00:00Z/9 |
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Medium | vellum | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1890,0512.81 |
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Notes |
Stainton & White 1987 A characteristic example of Forster's plumbago portrait drawings. George St Lo served in the Navy: he was captain of the 'Portsmouth' when he was severely wounded and captured by the French in 1689. In 1693 he was appointed a Commissioner of Prizes, and in the same year published a pamphlet, 'England's Safety, or a Bridle to the French King'. He became a Commissioner at Plymouth in 1695, and in this capacity was directed in 1697 to guard those at work on the construction of the first Eddystone Lighthouse; however, through his negligence in omitting to station a protection vessel, they were carried off by a French privateer. St Lo was Resident Commissioner at Chatham from 1703 to 1712 and then Commander-in-Chief of ships in the Medway and at the Nore until the accession of George I. This drawing was issued as a coloured facsimile by the British Museum in 'Reproductions of Drawings by Old Masters in the British Museum', Part III, Published by the Trustees, in 1893 where it was number XIII and described there as 'Thomas Forster, Portrait of George ST.LO. Esq.' |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1890-0512-81 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:13, 13 May 2020 | ![]() | 2,015 × 2,474 (849 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Drawings on vellum in the British Museum 1704 #1,033/1,318 |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Image width | 2,015 px |
Image height | 2,474 px |
Color space | sRGB |
Software used | Adobe Photoshop Elements 5.0 (20060914.r.77) Windows |
Date and time of digitizing | 13:22, 9 October 2007 |
File change date and time | 13:24, 9 October 2007 |
Date metadata was last modified | 13:24, 9 October 2007 |