File:Drawing (BM 1836,0811.75 1).jpg
Original file (1,434 × 1,600 pixels, file size: 403 KB, MIME type: image/jpeg)
Captions
Summary
[edit]drawing ( ) | ||||||||||||||||||||||||
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Artist |
Drawn by: Andries Both
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Title |
drawing |
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Description |
English: The Distressed Painter; seated on a basket before an easel, wearing ragged clothes and a hat, brushes and palette in his hand, his two children behind at right and his wife grinding colours at a table, a paper pinned to the wall above inscribed "sijnder/[mer?]"
Black chalk, on vellum |
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Date | 1624-1640 (circa) | |||||||||||||||||||||||
Medium | vellum | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1836,0811.75 |
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Notes |
The subject engraved in reverse by Pieter Schenck (print entitled "pictor inops") and with modifications by Georg Walch (Nuremberg, worked c.1630-55) (See 1876,0510.573). In France prints were made by Jean Le Paultre, Nicolas Viennot, Pierre Landry (for an impression see 1996,0713.18) and, with further modifications and in reverse, by Abraham Bosse. A related painting by the artist is known (sold Sotheby's, London, 20/iv/1994 lot 18, repr.). For a use on Doccia porcelain, see the plate in the BM, 2010,8004.1. A related drawing of the same format, a pair to that in the BM, showing a 'Happy Painter', was acquired in 2001 (2001,0929.1). Literature: E. de Jongh & G. Luijten, 'Spiegel van Alledag, Nederlandse genreprenten 1550-1700', 1997, p.248, fig.3; K. Oberhuber (ed.), 'Renaissance and Baroque Drawings From the Collection of John and Alice Steiner', 1977, p.109, under no.41; H.-J. Raupp, 'Untersuchungen zu Künstlerdarstellung in den Niederlanden im 17. Jahrhundert', 1984, p.44, under note 98; J. Muylle, 'L'Iconographe de genre et les peintres de genre', in La Ville en Flandre..., exhibition cat., Brussels 1991, p.274, note 12; A. Dawson, 'An artist on porcelain: a Doccia porcelain plate in the British Museum', in Keramos 210 (2010), pp.121-130. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1836-0811-75 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:42, 13 May 2020 | 1,434 × 1,600 (403 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Drawings on vellum in the British Museum 1624 image 2 of 2 #826/1,318 |
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Metadata
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Image width | 2,084 px |
Image height | 2,326 px |
Color space | sRGB |
Software used | Adobe Photoshop Elements 5.0 (20060914.r.77) Windows |
Date and time of digitizing | 10:21, 12 October 2007 |
File change date and time | 10:27, 12 October 2007 |
Date metadata was last modified | 10:27, 12 October 2007 |