File:Drawing, sketch-book (BM 1898,1123.3.29.+).jpg

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drawing, sketch-book   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Title
drawing, sketch-book
Description
English: Aspertini sketch-book (so-called London I): 30th opening


left (1898,1123.3(29*) verso) and right-hand page (1898,1123.3(30) recto) with scene from Trajan's Column: Roman scouts leaving an encampment and crossing a bridge c. 1535


Pen and brown ink, over black chalk, on vellum (the surface partly rubbed with black chalk)
Depicted people Associated with: Trajan
Date between 1532 and 1535
date QS:P571,+1532-00-00T00:00:00Z/8,P1319,+1532-00-00T00:00:00Z/9,P1326,+1535-00-00T00:00:00Z/9
Medium vellum
Dimensions
Height: 248 millimetres
Width: 184 millimetres (each page)
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1898,1123.3.29.+
Notes

Bober observes that this opening derives from scene XXI/49-50 of Trajan's Column (K. Lehmann-Hartleben, 'Die Trajanssäule', Berlin and Leipzig, 1926 and Settis et al., 'La colonna Traiana', Turin, 1988, no. 24) and that they are the continuation of the image described on f. 1898,1123.3.25 of this sketch-book (Bober 1957, p. 66). Agosti and Farinella believe that for all these scenes (including f. 1898,1123.3.30 of this sketch-book) Aspertini based himself on anonymous engravings of the school of Raphael (Bartsch XIV, 203-205) and they use this example for their argument that Aspertini did not base himself at all on the actual Column for the London sketch-book, but that he used his previous Codex Wolfegg and other artists' sources (see Agosti-Farinella 1984, pp. 403-6, n.11). For other sheets with scenes from Trajan's Column see ff. 1898,1123.3.2, 1898,1123.3.5,1898,1123.3.6, 1898,1123.3.8, 1898,1123.3.10, 1898,1123.3.23-25, 1898,1123.3.27-34, 1898,1123.3.41 [Bober 5v-6, 7v-8, 9v-10, 22v-25, 26v-35, 41v-42]; and Codex Wolfegg ff. 9, 9v, 18v, 19 (base), 22v, 37v-38, 38v-39 (see G. Schweikhart, 'Der Wolfegg Codex. Zeichnungen nach der Antike von Amico Aspertini', London, 1986). For general comments on Aspertini and Trajan's Column see Bober 1957, pp. 30-2, Agosti and Farinella 1984, pp. 403-6 and Settis et al, cit., pp. 556-61, 572-4.

Lit.:P.P. Bober, 'Drawings after the Antique by Amico Aspertini. Sketchbooks in the British Museum', London, 1957, f. 29v-30, p. 66-7; G. Agosti-V. Farinella, 'Calore del marmo. Pratica e Tipologia delle deduzioni iconografiche', in "Memoria dell'antico nell'arte italiana", a cura di S. Settis, I, 'L'uso dei classici', Turin, 1984, p. 406, n.11; P. Bober - R. Rubinstein, 'Renaissance Artists and Antique Sculpture', New York, 1986, under no. 159.

For images of the codex Wolfegg see www.census.de. ID 60826

For a general introduction to the sketchbook see 1898,1123.3.1
Source/Photographer https://www.britishmuseum.org/collection/object/P_1898-1123-3-29-
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.


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current17:42, 12 May 2020Thumbnail for version as of 17:42, 12 May 20201,600 × 1,201 (263 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Drawings on vellum in the British Museum 1532 #214/1,318

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