File:Drawing, sketch-book (BM 1898,1123.3.22).jpg
Original file (1,600 × 1,201 pixels, file size: 238 KB, MIME type: image/jpeg)
Captions
Summary
[edit]drawing, sketch-book ( ) | ||||||||||||||||||||||||
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Title |
drawing, sketch-book |
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Description |
English: Aspertini sketch-book (so-called London I): 22nd opening
Black chalk, brown wash, on vellum |
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Depicted people | Representation of: Achilles | |||||||||||||||||||||||
Date |
between 1532 and 1535 date QS:P571,+1532-00-00T00:00:00Z/8,P1319,+1532-00-00T00:00:00Z/9,P1326,+1535-00-00T00:00:00Z/9 |
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Medium | vellum | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1898,1123.3.22 |
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Notes |
For Bober this opening is problematic in so far as the antique source is concerned, as the composition bears very few points of resemblance to sarcophagi of the type. The group to the left of Achilles - an amazon stepping over a corpse to defend herself against a charging Greek horseman - is closely paralleled on the sarcophagus recorded by Aspertini in SS. Cosma e Damiano (see f. 1898,1123.3.20), yet the motive does not appear on preserved Penthesilea reliefs. For the extreme right portion of the scene a possible prototype can be found in a fragment of a Penthesilea sarcophagus re-used in a 17th century pasticcio of the Palazzo Lancellotti (D. Grassinger, 'Die mythologischen Sarkophage' (Teil 1), Berlin 1999, pp. 253-4, nos. 35-6 Census ID 157936). See also Bober. Lit.: P.P. Bober, 'Drawings after the Antique by Amico Aspertini. Sketchbooks in the British Museum', London, 1957, f. 21v-22, p. 65. For a general introduction to the sketchbook see 1898,1123.3.1 |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1898-1123-3-22 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:41, 12 May 2020 | 1,600 × 1,201 (238 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Drawings on vellum in the British Museum 1532 #184/1,318 |
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Metadata
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Camera manufacturer | Phase One |
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Camera model | P 45 |
Date and time of data generation | 15:56, 2 May 2008 |
ISO speed rating | 100 |
Width | 7,230 px |
Height | 5,428 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Exif version | 2.2 |
Image width | 7,230 px |
Image height | 5,428 px |
Date and time of digitizing | 15:56, 2 May 2008 |
File change date and time | 16:46, 6 May 2008 |
Software used | Adobe Photoshop CS2 Macintosh |
Date metadata was last modified | 16:46, 6 May 2008 |