File:Dong Yuan Mountain Hall.jpg
Original file (12,384 × 21,675 pixels, file size: 69.19 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Dong Yuan: The Immortal Paradise Building in the Mountain | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q890613 |
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Title |
English: The Immortal Paradise Building in the Mountain 中文:「洞天山堂圖」軸 |
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Object type | painting | ||||||||||||||||||||||||||
Genre | landscape painting | ||||||||||||||||||||||||||
Description |
Français : Le bâtiment du paradis des Immortels dans la montagne, attribué à fr:Dong Yuan, milieu du Xe s., encre et couleurs légères sur soie, rouleau vertical, 183,2 x 121,2 cm. fr:Musée national du palais, fr:Taipei. Biblio: fr:Danielle Elisseeff, Art et archéologie : la Chine du néolithique à la fin des Cinq Dynasties (960 de notre ère), éditeur=École du Louvre, Éditions de la Réunion des Musées Nationaux (Manuels de l'École du Louvre), langue français ,lieu Paris ,année 2008, 381 pages, ISBN 978-2-7118-5269-7, Ouvrage de référence, bibliographie et Sites Internet. Pages 308-309 |
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Date |
10th century date QS:P,+950-00-00T00:00:00Z/7 |
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Dimensions |
height: 183.2 cm (72.1 in) ; width: 121.2 cm (47.7 in) dimensions QS:P2048,+183.2U174728 dimensions QS:P2049,+121.2U174728 |
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Collection |
institution QS:P195,Q540668 |
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Accession number |
故畫000820N000000000 (National Palace Museum) |
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References | |||||||||||||||||||||||||||
Source/Photographer | https://www.shuge.org/meet/topic/90336/ | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Other versions |
This work bears neither seal nor signature of the artist, but Wang Duo (1592-1653) in the inscription paper mounted above gives the artist as Dong Yuan of the Five Dynasties period. Dong, a native of Zhongling in Jiangnan (modern Nanchang in Jiangxi), excelled at "hemp-fiber" texture strokes to depict the Jiangnan landscape, establishing an important tradition in Chinese painting. Although this work reflects his style, it was actually done in the Yuan dynasty (1279-1368). In the lower right are three figures on a bridge, two of them wearing official caps and having gone to greet a visitor. In the middleground is a lofty palatial complex hidden among the trees in the clouds, which make the blue-and-green peaks stand out clearly with grotto entrances of different sizes evident. The natural lighting of the grotto entrance accords with the Daoist notion of mountains and grottoes being immortal palaces and spiritual abodes, which religious thought says are lit by the sun and moon. Four characters for the title are in the upper left, and, although the writer is unknown, they suit well the subject of the painting. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 09:46, 10 August 2023 | 12,384 × 21,675 (69.19 MB) | Kcx36 (talk | contribs) | higher resolution | |
21:55, 20 August 2019 | 2,675 × 4,707 (8.56 MB) | Eugene a (talk | contribs) | H.res. | ||
09:27, 19 December 2011 | 1,053 × 1,581 (1.53 MB) | Ismoon (talk | contribs) | saturation moindre des jaunes et des rouges | ||
21:24, 20 April 2011 | 1,053 × 1,581 (1.57 MB) | Ismoon (talk | contribs) | Légère nuance moins jaune-orangée. | ||
16:07, 9 March 2011 | 1,053 × 1,581 (1.21 MB) | Eugene a (talk | contribs) | Better version | ||
03:36, 8 May 2005 | 700 × 1,068 (324 KB) | Fanghong (talk | contribs) | From zh wiki Source from [http://www.seattlecentral.org/faculty/cmalody/T3ma/chland8-10.htm] {{PD}} |
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- Dong Yuan
- Shan shui paintings in the National Palace Museum
- Clouds in art
- Pines in art
- Paintings of the Yuan Dynasty in the National Palace Museum
- Landscape paintings of China
- Scrolls of China
- Chinese literati paintings
- Chinese silk
- 10th-century paintings from China
- Taoism in China
- Ink and wash paintings in China
- National treasures of the Republic of China in the National Palace Museum