File:Diptych Passion Louvre OA7274.jpg
Original file (2,100 × 2,920 pixels, file size: 3.99 MB, MIME type: image/jpeg)
Captions
Object
Artist |
Unknown artistUnknown artist |
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Description |
Deutsch: Szenen aus der Passion Christi (von unten nach oben): Geißelung, Kreuzigung, Grablegung und Höllenfahrt. Elfenbein mit Spuren von Polychromie, Paris, erstes Viertel des 14. Jahrhunderts.
English: Scenes from the Passion of Christ (from bottom to top: flagellation, crucifixion, entombment, harrowing of hell. Ivory with traces of polychromy, Paris, first quarter of the 14th century.
Français : Scènes de la Passion du Christ : de bas en haut, la flagellation, la crucifixion, la mise au tombeau et la descente aux enfers. Ivoire avec traces de polychromie, Paris, premier quart du XIVe siècle. |
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Date |
between circa 1300 and circa 1325 date QS:P571,+1350-00-00T00:00:00Z/7,P1319,+1300-00-00T00:00:00Z/9,P1326,+1325-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
ivory medium QS:P186,Q82001 , traces of polychromy |
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Collection |
institution QS:P195,Q19675 |
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Current location |
Moyen-Age, room 3: Jeanne d'Evreux. Richelieu, 1st floor. This work is part of the collections of the Louvre (Department of Decorative Arts). |
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Accession number |
OA 7274 |
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Place of creation | Paris | |||||||||||||||||||||||
Credit line |
1919: given by Félix Doistau |
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References | Musée du Louvre, Atlas database: entry 7058 | |||||||||||||||||||||||
Permission (Reusing this file) |
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Photograph
Date | ||||
Source | Own work | |||
Author | Marie-Lan Nguyen | |||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 10:09, 10 January 2007 | 2,100 × 2,920 (3.99 MB) | Jastrow (talk | contribs) | {{Louvre-ext |Unknown |Scenes from the Passion of Christ (from bottom to top: flagellation, crucifixion, entombment, harrowing of hell. Ivory with traces of polychromy, Paris, first quarter of the 14th century. |Unspecified |Gift of F. Doistau, 1919 |OA 7 |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D200 |
Exposure time | 1/20 sec (0.05) |
F-number | f/5 |
ISO speed rating | 800 |
Date and time of data generation | 15:41, 7 January 2007 |
Lens focal length | 70 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | DxO Optics Pro Standard 4.1 (MacOS X) W1BVDDCW2TFW3UPG |
File change date and time | 15:41, 7 January 2007 |
Exposure Program | Aperture priority |
Date and time of digitizing | 15:41, 7 January 2007 |
APEX shutter speed | 4.321928 |
APEX aperture | 4.64386 |
APEX exposure bias | 0 |
Maximum land aperture | 4.6 APEX (f/4.92) |
Metering mode | Pattern |
Light source | Tungsten (incandescent light) |
Flash | Flash did not fire |
DateTime subseconds | 80 |
DateTimeOriginal subseconds | 80 |
DateTimeDigitized subseconds | 80 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 105 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 2.2.0.0 |
- Decorative arts in the Louvre - Room 503
- Medieval ivories in the Louvre
- Reliefs of the flagellation of Jesus Christ in France
- Reliefs of the Crucifixion of Christ in France
- Reliefs of Entombment of Christ in Paris
- Sculptures of Harrowing of Hell
- 14th-century religious relefs in the Louvre
- Reliefs of Jesus in the Louvre