File:Dark side of the moon - peter zumthor - Flickr - seier-seier.jpg
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[edit]DescriptionDark side of the moon - peter zumthor - Flickr - seier-seier.jpg |
bruder klaus kapelle, germany, completed 2007. architect: peter zumthor, b.1943 by nature architecture is a spiritual discipline, reflecting our values, ideas, aspirations. to the trained or sensitive eye, buildings give their makers away, expressing even their greed, opportunism, their base materialism if nothing better is on offer. we perceive this instinctively for the most part, but with religious buildings everybody looks for meaning. in answer, zumthor offers a refined little riddle of a building, at all stages offering us clues, at no time displaying overt symbolism. the interior concrete surface of the chapel makes the old brutalists look a little timid by comparison. as they would have appreciated, it reflects the process of construction, an aspect of architecture neglected by most architects today. in life, we are judged by our actions, and architecture, as ruskin taught us long ago when he established the moral superiority of gothic based on the working conditions of its artisan builders, is no different. for the chapel, zumthor developed a primitive building technique which could be - as I have understood it - executed by the people expected to use it afterwards. trees felled in the vicinity were tied together in a tee-pee shape which became the inner formwork, triangular in section. the outer formwork was a much simpler vertical slipform. a dry concrete mortar was stamped into the cavity between the two forms. finally, a slow-burning fire was lit on the floor, drying out and shrinking the tree trunks, disengaging them but at the same time blackening the walls. the process is explained much better here. the building you meet is less primitive than its construction. I was immediately struck by the concrete. the technology of using dry mortar is roman in origin and that seemed a perfect starting point for what is essentially a roman catholic shrine. when the door was opened, the dark triangular space seemed to tell a very different story. "gothic", was my first thought but then, as my eyes grew accustomed to the dark, the imprint of the tree trunks took on an overpowering presence, reminding me of roman descriptions of meetings with their germanic neighbours and how the kings would hold court in simple log houses. I don't believe there is a linear narrative waiting to be uncovered in the succession of apparent contradictions but there is a sense of being connected with the entire history of architecture, of witnessing a dialogue through time, in the way some of louis kahn's or utzon's buildings do. if anything, the almost violent texture of the torched concrete brings us closer to certain conditions in modern art - zumthor has mentioned the arte povera movement as an inspiration. again, thanks to chris for making us go out there. more zumthor. more words, yada, yada, yada. this photo was uploaded with a CC license and may be used free of charge and in any way you see fit. if possible, please name photographer "SEIER+SEIER". if not, don't. |
Date | Taken on 4 October 2008, 09:29 |
Source | dark side of the moon - peter zumthor |
Author | seier+seier |
Flickr tags InfoField | peter , zumthor , peter zumthor , pritzker , prize , bruder , klaus , chapel , kapelle , concrete , beton , brut , brutalist , brutalism , texture , wall , entrance , light , religious , architecture , architektur , arkitektur , jenskristianseier , seier+seier , cc , creative , commons |
Camera location | 50° 35′ 46.44″ N, 6° 44′ 06.4″ E | View this and other nearby images on: OpenStreetMap | 50.596232; 6.735112 |
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Licensing
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This image was originally posted to Flickr by seier+seier at https://flickr.com/photos/94852245@N00/3122721913. It was reviewed on 14 July 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
14 July 2020
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 03:07, 14 July 2020 | 2,949 × 3,807 (4.59 MB) | Red panda bot (talk | contribs) | In Flickr Explore: 2008-12-20 |
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D200 |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/5.6 |
ISO speed rating | 320 |
Date and time of data generation | 09:29, 4 October 2008 |
Lens focal length | 18 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 23:14, 13 December 2008 |
Y and C positioning | Co-sited |
Exposure Program | Aperture priority |
Exif version | 2.21 |
Date and time of digitizing | 09:29, 4 October 2008 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.6 APEX (f/3.48) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 90 |
DateTimeOriginal subseconds | 90 |
DateTimeDigitized subseconds | 90 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 27 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 2.2.0.0 |
Supported Flashpix version | 1 |
Image width | 2,949 px |
Image height | 3,807 px |
Date metadata was last modified | 00:14, 14 December 2008 |
IIM version | 2 |