File:Console 01 (IMG 2152).jpg

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DescriptionConsole 01 (IMG 2152).jpg	English: Console 1. Siren with forked tail. It is the first console to the right of the east portal. Christine Smith. The Pisa Baptistery (Garland Press, 1978), pp. 99, 161-162, fig. 153: Console 1 shows a siren holding the ends of her forked tail [Denise Jalabert, "De l'art oriental antique à l'art roman. II. Les sirènes", Bulletin Monumental, t. XCV, pp. 433-471]. The facial type - slightly pursed lips , high cheekbones and deeply drilled pupils - is exactly that which appears on capital 11. Also similar is the use of rows of drill-dots to outline form or simply to add texture and pattern to hair, the area under the arms, or in the leaf base. The siren occupies all of the space on the face of the console, and her form is perfectly adapted to it: her curling tails spread out and over the curved part of the console.
Date	22 July 2017, 19:39:33
Source	Own work
Author	DmitriiLD

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current	10:30, 25 August 2017		4,272 × 2,848 (5.01 MB)	DmitriiLD (talk \| contribs)	User created page with UploadWizard

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Camera manufacturer	Canon
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ISO speed rating	1,600
Date and time of data generation	19:39, 22 July 2017
Lens focal length	200 mm
JPEG file comment	Console 1. Siren with forked tail. It is the first console to the right of the east portal. See Christine Smith. The Pisa Baptistery (Garland Press, 1978), pp. 99, 161-162, fig. 153: Console 1 shows a siren holding the ends of her forked tail [Denise Jalabert, "De l'art oriental antique a l'art roman. II. Les sirenes", Bulletin Monumental, t. XCV, pp. 433-471]. The facial type - slightly pursed lips , high cheekbones and deeply drilled pupils - is exactly that which appears on capital 11. Also similar is the use of rows of drill-dots to outline form or simply to add texture and pattern to hair, the area under the arms, or in the leaf base. The siren occupies all of the space on the face of the console, and her form is perfectly adapted to it: her curling tails spread out and over the curved part of the console... The Grove Encyclopedia of Medieval Art and Architecture, Òîì 1, Pisa, p. 36: https://books.google.ru/books?id=FtlMAgAAQBAJ&pg=RA4-PA36 The earliest important sculptural decorations on the baptistery can be dated to the final decades of the 12th century; it comprises the capitals of the four piers and eight columns of the interior, and the twelve corbels on which the roof of the circular nave rests. This scheme, including decorative leaves and branches, real and fantastic animals , and scenes (e.g. of hunters or acrobats), constitutes unified whole thanks to a group of sculptors whose style is similar to that of Guidetto, who is associated with various works in Lucca.
Orientation	Normal
Horizontal resolution	72 dpi
Vertical resolution	72 dpi
File change date and time	19:39, 22 July 2017
Y and C positioning	Co-sited
Exposure Program	Normal program
Exif version	2.21
Date and time of digitizing	19:39, 22 July 2017
Meaning of each component	Y Cb Cr does not exist
APEX shutter speed	4
APEX aperture	5
APEX exposure bias	−0.66666666666667
Metering mode	Spot
Flash	Flash did not fire, compulsory flash suppression
DateTime subseconds	03
DateTimeOriginal subseconds	03
DateTimeDigitized subseconds	03
Supported Flashpix version	1
Color space	sRGB
Focal plane X resolution	4,865.6036446469
Focal plane Y resolution	4,876.7123287671
Focal plane resolution unit	inches
Custom image processing	Normal process
Exposure mode	Auto exposure
White balance	Auto white balance
Scene capture type	Standard

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