File:Château de la Tourette (1935), Éveux sur L’Arbresle (Rhône).jpg

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Deutsch: Besitzer im Jahre 1576 war Alexander Lord de la Tourette. Vom Ende des sechzehnten Jahrhunderts bis zum Anfang des siebzehnten Jahrhunderts wurde der zentrale Teil gebaut. Im achtzehnten Jahrhundert, die Rückseite und die rechte Seite mit dem Turm. Die Anlage wurde 1943 von der Gräfin von Villiers an die Immobiliengesellschaft Tourette (Orden von Saint-Dominique) verkauft, die später, in direkter Nachbarschaft, das Kloster Sainte-Marie de la Tourette durch Le Corbusier erbauen ließen.
English: The owner, in 1576, was Alexandre Seigneur de la Tourette. From the end of the 16th century to the beginning of the 17th century, the central part was built. In the 18th century, the rear part and the right part with the tower. It was sold in 1943 by the Countess of Villiers to the real estate company Tourette (Order of Saint-Dominique), who later commissioned Le Corbusier to build the convent of Sainte-Marie de la Tourette, next door.
Français : Le propriétaire, en 1576, était messire Alexandre seigneur de la Tourette. De la fin du XVIe siècle au début du XVIIe , la partie centrale est édifiée. Au XVIIIe , siècle, la partie arrière et la partie droite avec la tour. Le complexe fut vendu en 1943 par la comtesse de Villiers à la société immobilière Tourette (Ordre de Saint-Dominique) qui fit construire par la suite, à proximité immédiate, le monastère Sainte-Marie de la Tourette par Le Corbusier.
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Source https://www.geneanet.org/cartes-postales/view/4544790#0
Author Unbekannte Fotograf

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This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Public domain

This work is in the public domain in the United States because it meets three requirements:

  1. it was first published outside the United States (and not published in the U.S. within 30 days),
  2. it was first published before 1 March 1989 without copyright notice or before 1964 without copyright renewal or before the source country established copyright relations with the United States,
  3. it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries).
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Note: This tag should not be used for sound recordings.

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current08:35, 12 March 2024Thumbnail for version as of 08:35, 12 March 20242,210 × 1,432 (997 KB)Peter Christian Riemann (talk | contribs)Uploaded a work by Unbekannte Fotograf from https://www.geneanet.org/cartes-postales/view/4544790#0 with UploadWizard

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