File:Catalina de Ribera y Hurtado de Mendoza. Sepulcro.jpg
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Summary
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| Description |
Español: Cartuja de Santa María de las Cuevas (Sevilla). Vista parcial del sepulcro. Fadrique Enríquez de Ribera, primer Marqués de Tarifa, elige para la sepultura de su madre, doña Catalina de Ribera, la nueva escultura lombarda (1521). Pace Gazini, sobrino y discípulo de Antonio della Porta, transforma el concepto de la muerte a través de la mitología clásica y el humanismo cristiano. Es el arte renacentista. |
| Date | |
| Source | Own work |
| Author | José Luis Filpo Cabana |
| Annotations | This image is annotated: View the annotations at Commons |
| Camera location |  | View this and other nearby images on: OpenStreetMap |  |
|---|
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I, the copyright holder of this work, hereby publish it under the following license:
This file is licensed under the Creative Commons Attribution 3.0 Unported license.
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- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 11:27, 23 June 2019 | | 2,544 × 2,544 (3.69 MB) | Jl FilpoC (talk | contribs) | Otra versión |
| 07:45, 17 November 2012 |  | 2,544 × 2,544 (6 MB) | Jl FilpoC (talk | contribs) | {{Information |Description ={{es|1=Cartuja de Santa María de las Cuevas (Sevilla). Vista parcial del sepulcro. Fadrique Enriquez de Ribera, primer Marqués de Tarifa, elige para la sepultura de su madre, la nueva escultura lombarda (1521). Pace Gaz... |
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