File:Casa Guillermo Brandes, La Duo Art-pianola (1916).jpg

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Description
Español: Anuncio de La Duo Art-pianola en la Revista Variedades, 6 de mayo de 1916. Reproducida por la web ArkivPeru.
English: Announcement of La Duo Art-pianola in the Variedades Magazine, May 6, 1916. Reproduced by the ArkivPeru website.
Quotation

LA DUO-ART PIANOLA
EL DUO ART reproduce, movido por 
           electricidad, fielmente la 
           ejecución y el estilo de 
           los "virtuosos" del pia- 
           no.
EL DUO ART es una Pianola genuina 
           del tipo más fino, con 
           el Metrostyle y el Te- 
           modist, la melodía can- 
           tante.
EL DUO ART es un Piano de superior 
           calidad, fabricado espe- 
           cialmente para el Pe- 
           rú, con material de pri- 
           mera clase.
GRANADOS el distinguido compositor 
           español, oyendo una de 
           sus composiciones eje- 
           cutar al piano DUO 
           ART, no pudo menos 
           de exclamar: "¡Dios 
           mio! Soy yo mismo 
           quien toca".
¿Quiere Ud. cerciorarse de lo dicho? 
   Pase á la Casa especialista de
      𝒢𝓂ℴ 𝒫𝓇𝒶𝓃𝒹ℯ𝓈
               ℒ𝒾𝓂𝒶


THE PIANO DUO-ART
THE DUO ART faithfully reproduces, 
            powered by electricity, 
            the execution and style 
            of the piano "virtuosos".

THE DUO ART is a genuine Pianola of 
            the finest type, with the 
            Metrostyle and the Temodist, 
            the singing melody.

THE DUO ART is a superior quality piano, 
            manufactured especially for 
            Peru, with first class 
            material.

GRANADOS, the distinguished Spanish  
            composer, hearing one of his
            compositions performed on 
            the DUO ART piano, 
            could not help but exclaim: 
            "My God! It is I myself who 
            plays."
Do you want to make sure of what was said? 
      Go to the specialist House of
          𝒢𝓂ℴ 𝒫𝓇𝒶𝓃𝒹ℯ𝓈
                   ℒ𝒾𝓂𝒶
Date
Source http://www.arkivperu.com/anuncios-de-la-revista-variedades-lima-1916/
Author Revista Variedades

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain in its source country for the following reason:
Public domain According to Law 13714 (1961) passed under the administration of the government of Manuel Prado, and article 4.3 of the Universal Copyright Convention, the work of a public entity (in Spanish: persona júridica) is public domain in Perú because one or more the following criteria are met:
  • It is a work created and/or assigned to the Peruvian State and published before December 31, 1970. It was protected for 25 years and then immediately assigned to the public domain. In the case of official documents of the Executive Branch, Legislative Branch and Judicial Branch, it extends to May 23, 1996.
  • It is a work considered of "public utility" by the Ministry of Public Education of an author who: (a) died before 20 August 1988 (b) had no copyright notice or claim by his/her heirs (c) is an orphan after the liquidation of his/her publishing house before the entry into force of the Berne Convention in 1988.
  • It is another work(s) of public or private entities before 31 December 1967 through work-for-hire or express advertisement for claim as owners, even if these were collective works. For media not published in other Andean Community countries, the expiration is extended to 31 December 1970. In the case of journalistic works, the rights pass to the company if it did not identify the actual author of the editorial. In the case of film works prior to the date, the owner apply to the producer of the material and exclude the soundtrack, script or participation outside of the production staff.

It is understood that the work was disseminated to the public or via newspaper or broadcasting media and that its author is explicitly an entity. Therefore, after its first publication from 1 January of the following year, it expired before 1 January 1996 and was not renewed on the URAA date (1 January 1996). More information in COM:Peru.
Warning: The Peruvian copyright law of 23 April 1996 repealed law 13714, and in its transitory provisions it indicates that only "[the works still] protected in accordance with the previous law, will enjoy the most extensive terms of protection recognized in this Law" and denies retroactive effect.
Note 1: The simple photographs have a duration of 20 years, for non-artistic or non-literary photograph use {{PD-Peru-photo}}.
Note 2: The short term rule does not cover works by individuals or collaborations, whose term is run separately.
Note 3: Works published between 1968 and 1970 could be protected in other countries of the Andean Community. Because the source material does not involve other countries, it is only in the public domain in Peru (besides the United States) and is not retroactive to the constitution in that country.

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The original itself is in the public domain in the United States for the following reason:

Public domain
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.

Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

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