File:Captain Sir William Abdy, Bt, circa 1732-1803 RMG L9344.jpg
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Captions
Summary
[edit]Gilbert Stuart: Captain Sir William Abdy, Bt, circa 1732-1803 | |||||||||||||||||||||||||||
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Artist |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
English: Captain Sir William Abdy, Bt, circa 1732-1803 A half-length portrait to left showing Abdy wearing captain's full-dress uniform, 1774-87 and a white tie wig. Seated in a red chair with his left hand resting on his arm, the sitter confronts the gaze of the viewer. Abdy entered the service of the Hon. East India Company as a midshipman in the 'True Briton' on her voyage of 1750-1752. From 1753-55, he was fourth mate of the 'Stafford'. He then transferred to the Royal Navy and commanded the 'Beaver', 14 guns, both in home waters and in the West Indies, 1761-66. He was made a post captain in 1766 but did not serve again. In 1775, he succeeded his brother to the family baronetcy. Stuart was an American painter who was also active in England and Ireland. He was in London from 1775 until 1787 where, early in 1775, he entered the studio of Benjamin West, 1738-1820, for whom he painted drapery and finished portraits. Stuart exhibited for the first time at the Royal Academy in the spring of 1787. He maintained an expensive London establishment and had considerable success as a fashionable portrait painter to both English and American sitters who found themselves in London. However, in 1787, Stuart fled to Dublin-almost certainly to escape his creditors-where he remained for five years. In the spring of 1793, he returned to America, leaving behind scores of unfinished canvases. He subsequently lived and worked in New York, and then Philadelphia, where George Washington posed for him during 1795. He moved to Boston in 1805 where he remained for the rest of his life both painting and advising fellow artists. |
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Depicted people | Sir William Abdy, 6th Baronet | ||||||||||||||||||||||||||
Date |
1780 date QS:P571,+1780-00-00T00:00:00Z/9 |
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Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Frame: 940 mm x 813 mm x 80 mm;Overall: 13.4 kg;Painting: 765 x 645 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC2504 |
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References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/13978 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Other versions |
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Identifier InfoField | Acquisition Number: 1939-430 id number: BHC2504 |
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Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 04:27, 21 September 2017 | 1,063 × 1,280 (1.09 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1780), http://collections.rmg.co.uk/collections/objects/13978 #1101 |
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Metadata
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Camera manufacturer | Hasselblad |
Camera model | Hasselblad H3DII-39MS |
Author | David Westwood |
Exposure time | 1/250 sec (0.004) |
F-number | f/13 |
ISO speed rating | 50 |
Lens focal length | 120 mm |
Headline | Stuart BHC2504 |
Copyright holder |
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Short title |
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Usage terms |
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Date and time of data generation | 12:27, 4 February 2016 |
Width | 4,264 px |
Height | 5,135 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Macintosh) |
File change date and time | 10:19, 8 March 2016 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 12:27, 4 February 2016 |
APEX shutter speed | 7.9657842814922 |
APEX aperture | 7.4008794352412 |
Maximum land aperture | 4 APEX (f/4) |
Subject distance | 1.874 meters |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | Uncalibrated |
Focal plane X resolution | 1,470.59 |
Focal plane Y resolution | 1,470.59 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 84 mm |
Lens used | HC 120 |
Serial number of camera | DM58244248 |
Date metadata was last modified | 10:19, 8 March 2016 |
Unique ID of original document | xmp.did:7A2F5A9F142068118083D4F9DDB31E15 |
Copyright status | Copyrighted |
IIM version | 4 |