File:Capilla mayor de la Iglesia de Santa María de la Oliva (Lebrija).jpg
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[edit]DescriptionCapilla mayor de la Iglesia de Santa María de la Oliva (Lebrija).jpg |
Español: Iglesia de Santa María de la Oliva (Lebrija). En el año 1629 la Iglesia de Sevilla contrata a Miguel Cano y a Legot un nuevo retablo mayor según trazas aportadas. Y en ese mismo año, Miguel Cano cede su labor a su hijo Alonso que innova el proyecto. En su etapa sevillana de formación, posiblemente con Juan Martínez Montañés entre otros maestros, conocería el estilismo del jesuita Alonso Matías y su exitoso retablo de estructura tetrástila de la Iglesia de la Anunciación (Sevilla), junto con la valiosa aportación de la pintura a la retablística, defendida por Francisco de Herrera, el Viejo, que determinará el definitivo y personal, con clara tendencia barroca, planteamiento de este valioso retablo. Alonso Cano designa a Juan Martínez Montañés su tasador para el fin de obra (1633), el cual examinaría el trabajo que coincidía con su encargo del retablo mayor en la Iglesia de San Lorenzo de Sevilla. |
Date | |
Source | Own work |
Author | Jl FilpoC |
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Annotations InfoField | This image is annotated: View the annotations at Commons |
Problemático añadido en el año 1739.
Innovadora y potente cornisa
Ático triple. En sus extremos esculturas exentas, San Pedro y San Pablo.
Alonso Cano y Felipe de Ribas
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