File:Canoe Prow Mask, Papua New Guinea, Brücke Museum Berlin, 65038, view a.jpg
Original file (6,196 × 8,270 pixels, file size: 26.18 MB, MIME type: image/jpeg)
Captions
Summary
Object
Artist |
English: once known creator
Deutsch: einst bekannte*r Urheber*in |
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Description |
Deutsch: Kanubug-Maske
English: Canoe Prow Mask |
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Date |
from 19th century date QS:P571,+1850-00-00T00:00:00Z/7 until 20th centurydate QS:P571,+1950-00-00T00:00:00Z/7 |
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Medium |
wood medium QS:P186,Q287 , seashellmedium QS:P186,Q213096 , leathermedium QS:P186,Q286 |
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Dimensions |
height: 51 cm (20 in); width: 22 cm (8.6 in); depth: 15 cm (5.9 in) dimensions QS:P2048,51U174728 dimensions QS:P2049,22U174728 dimensions QS:P5524,15U174728 |
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Collection |
institution QS:P195,Q833759 |
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Accession number |
H 75 |
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Place of creation | Tambanum, East Sepik Province (Q690880) | |||||||||||||||||||||||
Object history |
transferred to Karl und Emy Schmidt-Rottluff Stiftung (Q108731834) from Karl Schmidt-Rottluff (Q161143) |
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Notes |
English: These common masks are still produced. However popular they may be, a variety of eyes, differences in the length of the nose and more elaborate versions of birds and crocodiles carved in high relief ensure that no two pieces are ever the same. (Grace Vele)
Deutsch: Diese gängigen Masken werden immer noch hergestellt. So beliebt sie auch sein mögen, sorgen eine unterschiedliche Gestaltung der Augen, Unterschiede in der Länge der Nase sowie aufwändigere Versionen mit Vögeln und Krokodilen, die in Hochrelief geschnitzt sind, dafür, dass kein Stück dem anderen gleicht. (Grace Vele)
Tok Pisin: Dispela mask em i popula lo olgeta hap lo East Sepik regen na em bai difret liklik lo ae, nois na sait blo ol. Wanwan blo dispela mask i olsem ae, pes, nus na iao osem wan wan animal blo eria blo ol, sampla bai i olsem pukpuk, sampela bai i olsem pisin, sampela bai i olsem igal na i go osem. Dispela i min olsem,ol man i wankain tasol,wanwan man i bin kam lo wan wan tumbuna animal blo ol. |
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References |
Deutsch: Karl Schmidt-Rottluff hat die Maske 1957 in seinem Gemälde "Geweihfarn in der Mitte" künstlerisch verarbeitet. Das Gemälde befindet sich heute in der Sammlung des Brücke-Museums in Berlin: https://www.bruecke-museum.de/de/sammlung/werke/62307/geweihfarn-in-der-mitte
Tok Pisin: Wanpla save man lo German, Karl Schmidt-Rottluff i bin drowim, piksarim na paintim ol dispela ol tumbuna pais mask nao istap lo Brücke Museum lo Belin, German: : https://www.bruecke-museum.de/de/sammlung/werke/62307/geweihfarn-in-der-mitte |
Photograph
DescriptionCanoe Prow Mask, Papua New Guinea, Brücke Museum Berlin, 65038, view a.jpg | ||||
Date | ||||
Source | BrückeMuseumBerlin | |||
Author | Nick Ash, Berlin | |||
Permission (Reusing this file) |
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Other versions |
The estate of Karl Schmidt-Rottluff, owned by the Karl and Emy Schmidt-Rottluff Foundation at the Brücke Museum, contains his collection of around 100 sculptures and objects with colonial backgrounds. The Brücke artist himself never travelled outside Europe and, to the best of current knowledge, bought these objects in the art trade and from private owners from the 1910s onwards. The collection includes ritual and everyday objects, alongside souvenirs for the Western market. The way they were perceived underwent changes: they came to be seen as objects of art and decoration. Little is known of their origins, the circumstances of their acquisition, or the historical and current importance of the objects. Most of them originate from Germany’s former colonies, thus referring directly to German Expressionists’ entanglements in the often unlawful appropriation of material culture in colonially occupied lands. More
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:27, 2 November 2021 | 6,196 × 8,270 (26.18 MB) | BrückeMuseumBerlin (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Hasselblad |
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Camera model | Hasselblad X1D II 50C |
Author | Nick Ash |
Exposure time | 1/500 sec (0.002) |
F-number | f/11 |
ISO speed rating | 100 |
Date and time of data generation | 09:05, 11 June 2021 |
Lens focal length | 90 mm |
User comments | Stacked from 15 images. Method=B (R=8,S=4) |
Width | 6,196 px |
Height | 8,270 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 22.4 (Macintosh) |
File change date and time | 19:17, 17 June 2021 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 09:05, 11 June 2021 |
APEX shutter speed | 8.9657842814922 |
APEX aperture | 6.9188632369041 |
Maximum land aperture | 3.47393118 APEX (f/3.33) |
Subject distance | 1.22 meters |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | sRGB |
Focal plane X resolution | 1,886.792452 |
Focal plane Y resolution | 1,886.792452 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 71 mm |
Lens used | XCD 90 |
Serial number of camera | VQ29100674 |
Date metadata was last modified | 21:17, 17 June 2021 |
Rating (out of 5) | 5 |
Unique ID of original document | 68611BC8ADEF36AC7389E282282A5D4F |
Contact information | mail@nick-ash.com
Monumentenstr. 13E Berlin, , 10829 Deutschland |
IIM version | 4 |