File:COLLECTIE TROPENMUSEUM Houten masker TMnr 6372-2.jpg
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Summary
[edit]Nederlands: MaskerNederlands: Houten maskerLocal name: Kanaga | |
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Title |
Nederlands: Masker Nederlands: Houten masker Local name: Kanaga |
Description |
Nederlands: Het zogenaamde kanaga masker is een van de vele maskertypen die de Dogon kennen. Veel meer dan andere maskers is het sterk geabstraheerd. Over de betekenis bestaan veel verschillende interpretaties: het wordt beschouwd als een vrouwelijke geest, een (kraan-)vogel, een hagedis, of een hand.
De meeste maskers worden tegenwordig gezien als onderdeel van dualistische tegenstellingen. Zo wordt het kanaga masker gezien als vrouwelijke pendant van het mannelijke sirige masker. Meestal dansen enkele kanaga-maskers op een rij waarin ritmisch een enorme zwaai wordt gemaakt met het hoofd zodat de maskers over de grond schampen, waarschijnlijk kan dat gezien worden als een communicaties met aarde-geesten. Dogon-maskers, en dus ook kanaga-maskers dansen vanouds vooral bij grote collectieve begrafenisritelen die dama worden genoemd. Het duurt zes dagen en wordt eens in een vast aantal jaren gehouden, gemiddeld om de 13 jaar. Het dama feest is in feite een soort afscheidsritueel, waarbij de geesten van de mensen die in de voorafgaande jaren zijn overleden afscheid nemen van de gemeenschap van mensen en overgaan in de gemeenschap van voorouders.English: The so-called Kanaga mask is one of the many mask types known to the Dogon. Much more than other masks, it is highly abstracted. There are many different interpretations of the meaning: it is regarded as a female ghost, a (crane) bird, a lizard, or a hand.
Most masks are now seen as part of dualistic opposites. For example, the kanaga mask is seen as the female counterpart of the male sirige mask. Usually a few kanaga masks dance in a row in which a huge sweep of the head is made rhythmically so that the masks scrape the ground, probably that can be seen as a communication with earth spirits. Dogon masks, and therefore kanaga masks as well, traditionally dance especially at large collective funeral rituals called dama. It lasts six days and is held once in a fixed number of years, every 13 years on average. The dama festival is in fact a kind of farewell ritual, in which the spirits of the people who have died in the previous years take leave of the community of people and pass into the community of ancestors.日本語:いわゆるカナガの仮面はドゴン族がもつ多くの仮面の1種。その意匠は他のマスクよりもはるかに抽象化されている。意味にはさまざまな解釈がされ、女性の精霊、鳥(鶴)、トカゲまたは手と見なされる。現在、ほとんどの仮面は相反する形態の一部、たとえば、カナガは男性用の仮面シリゲの女性形態として二元論で解釈される。
通常は複数名の踊り手がそれぞれカナガを着けて踊るとされ、また頭をリズミカルに大きく振っては仮面の先端で地面をこすることから、おそらくは地の精霊との交流のジェスチャーと見なされる。 伝統的に、ドゴン族のこの仮面を用いる場面は特に「ダマ」と呼ぶ大規模な集団葬儀である。一定の年数に1回、6日間連続するとされ、平均して間隔は13年ごとである。ダマの祭祀は実は別れの儀式の一種として、前年に亡くなった人々の霊を生者の間から祖先のコミュニティに送り出すとされる。 |
Date |
before 1980 date QS:P571,+1980-00-00T00:00:00Z/7,P1326,+1980-00-00T00:00:00Z/9 |
Dimensions | 88 x 60,2 x 19,5cm (34 5/8 x 23 11/16 x 7 11/16in.) |
Accession number |
6372-2 |
Notes |
Nederlands: Culturele Herkomst: Dagom, Dogon, Habe, Kado, Makbe, Toro -West-Sudanees
Functionele categorie: maskers, acteursparafernalia, masks and actor attributes Geografische Herkomst: Mali Materiaal - hoofd: hout Materiaal - overig: kleurstof, pigment, vezels en vezelprodukten Objecttrefwoord: kanaga maskers Techniek: doorboord, Gesneden English: Cultural Origin: Dagom, Dogon, Habe, Kado, Makbe, Toro -West Sudanese
Functional Category: masks, actor paraphernalia, masks and actor attributes Geographical Origin: Mali Material - head: wood Material - other: dye, pigment, fibers and fiber products Object keyword: kanaga masks Technique: Pierced, Cut 日本語:「文化的起源」:ダゴム、ドゴン、ハベ、カド、マクベ、西スーダン(トロ)
「機能カテゴリ」:仮面、俳優の道具、俳優の属性 「地理的起源」:マリ 「素材」:基質は木材 「素材」その他:染料、顔料、繊維、繊維製品 「キーワード」:カナガマスク< br />「技術」:切削、穿孔 |
Source/Photographer | Collectie Stichting Nationaal Museum van Wereldculturen |
Licensing
[edit]This file was provided to Wikimedia Commons by the National Museum of World Cultures as part of a cooperation project. The museum brings together the collections of the Tropenmuseum, Afrika Museum and the Museum of Ethnology. It exclusively provides images that are either made by its own staff, or that are otherwise free of copyright.
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Metadata
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D700 |
Exposure time | 1/100 sec (0.01) |
F-number | f/18 |
ISO speed rating | 100 |
Date and time of data generation | 09:39, 5 March 2010 |
Lens focal length | 60 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS3 Windows |
File change date and time | 15:09, 28 December 2010 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 09:39, 5 March 2010 |
APEX shutter speed | 6.643856 |
APEX aperture | 8.33985 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 58 |
DateTimeDigitized subseconds | 58 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Width | 2,832 px |
Height | 4,256 px |
Image width | 2,501 px |
Image height | 3,880 px |
Serial number of camera | 2053988 |
Lens used | 60.0 mm f/2.8 |
Date metadata was last modified | 16:09, 28 December 2010 |