File:Brooklyn Museum Quarterly (1916) (14773453601).jpg

Identifier: brooklynmuseumqu46broouoft (find matches)
Title: Brooklyn Museum Quarterly
Year: 1916 (1910s)
Authors: Brooklyn Institute of Arts and Sciences. Brooklyn museum quarterly
Subjects:
Publisher: Brooklyn
Contributing Library: Gerstein - University of Toronto
Digitizing Sponsor: MSN

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
gy of the Orinoco Region, by George K. Cherrie. Sept. 1, 1916 $1.75 Vol. Ill, No. 1, Long Island Fauna-IV. The Sharks. ByJohn Treadwell Nichols and Robert Cushman Mur-phy. April, 1916 25 MISCELLANEOUS Bibliography of Japan, by Stewart Culin, 1916 $ .10 Some Books upon Nature Study in the Childrens Museum Library,compiled by Miriam S. Draper, 1908; second edition 1911. Some Nature Books for Mothers and Children. An annotated list;compiled by Miriam S. Draper, 1912. THEBROOKLYN MUSEUM QUARTERLY VOL. VI. octob?:r, 1919 No. 4 77 contp:xts RoljhoVcns Stffl-Affow . Frontispiece The Lace yjxhihiiion-—Catherine T. I). Far. 181 From a Soldier Ornithologist 19(5 Crossing Blades with the Sword Fish—F. (lilhert Hinsdale 205 The Mary Benson Bequest—Susan A. Hutchinson. .. 222 Joseph Blackburns Receipt for the Portrait of )Mrs. Nathaniel Barrell—John Hill Morgan 228 Rolshovens Sun Arrow 231 Portrait of Man by Duveneck 233 Museum Notes 237 Museum Membershij) 241 Museum Publications 243 c n^i
Text Appearing After Image:
Point application. Court veil. Droschel ground (bobbin-made). Executedfor Marie Louise. Brussels, First Empire. Lent by Mrs. William H. Moore. The Lace Exhibition IN the special exhibition of lace which the Museum openedin the spring the Rembrandt collection of ecclesiasticalvestments and embroideries, mainly Italian and dating fromthe fifteenth and sixteenth centuries, was brought out anewand re-installed in the rotunda on the top floor. The fine-ness of the velvet in cope and dalmatic, the beauty of theembroidery in altar cloth and stole, and the purity and rich-ness of color in these early fabrics of the Renaissance weredisplayed to great advantage in the well-lighted and spacioushall. Two recent additions to the Museums textiles wereshown with the Rembrandt vestments and for the first time;one the gift of Miss Theodora Wilbour, an English courtmantle of the end of the seventeenth century, the body of abeautiful grey green velvet, ornamented with silver stars,brilhant with paillett

Note About Images