File:Bridge in Winter by Gyula Derkovis 1933.jpg
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Captions
Summary
[edit]Gyula Derkovits: Bridge in Winter ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q904179 |
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Title |
Bridge in Winter |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
1933 date QS:P571,+1933-00-00T00:00:00Z/9 |
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Medium | Oil, tempera and silver powder paint on paper | |||||||||||||||||||||||
Dimensions |
height: 121 cm (47.6 in); width: 83 cm (32.6 in) dimensions QS:P2048,121U174728 dimensions QS:P2049,83U174728 |
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Collection |
institution QS:P195,Q252071 |
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Source/Photographer | Fine Arts in Hungary: | |||||||||||||||||||||||
Permission (Reusing this file) |
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current | 13:38, 8 May 2008 | 666 × 936 (83 KB) | Pataki Márta (talk | contribs) | {{Information |Description=Bridge in winter (Oil, tempera and silver powder paint on paper, 121x83 cm) HNG |Source=http://www.hung-art.hu/index-en.html |Date=1933 |Author=Derkovits Gyula (1894-1934) |Permission=See belowCategory:Gyula Derkovits |other |
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JPEG file comment | DERKOVITS Gyula
(1894, Szombathely - 1934, Budapest) Híd télen 1933 Olaj, tempera, ezüst porfesték, papír, 121 x 83 cm Magyar Nemzeti Galéria, Budapest A festmény pillanatfelvételnek látszik az újpesti téli kikötõrõl. Egy sor, a korábbi festményeken megismert derkovitsi képi jel került itt egymás mellé újszerû összefüggésben. Maga a hídfeljáró régi keletû jelkép, elsõként valószínûleg Daumier alkalmazta a külváros érzékeltetésére 1830-ban. Az 1930-as évek végén a szocialista mûvészcsoport tagjai is foglalkoztak képi megoldásával. Derkovitsnál elõször 1927-ben szerepel a téli kikötõ, ekkor rajzolja, festi meg több változatban a közvetlen elõzménynek tekinthetõ 1929-es Sorompó (Szabad az út) rálátásos külvárosi képét is. A harmincas évek eleji csendõrábrázolások, szuronyos csendõr-proletár ellentét fogalmának szerepeltetése elõzi meg az itteni, szinte személytelenül jelenlevõ katonát. A proletáranya a gyermekével motívum pedig a maga erõt sugárzó nagyszerûségével a pár hónappal késõbb Proletáranya monumentalitását vetíti elõre. DERKOVITS, Gyula (1894, Szombathely - 1934, Budapest) Bridge in Winter 1933 Oil, tempera aand silver powder paint on paper, 121 x 83 cm Hungarian National Gallery, Budapest The picture looks like a snapshot of Újpest-quay in winter. Elements of his previous pictures are present side by side in a new connection. An old subject matter is that of approach ramps to bridges and as such was first painted by Daumier in 1830 to depict a somewhat run-down area. In the late 1930s, socialist painters were also engaged in this subject matter. Derkovits painted a picture of a quay in winter 1927 for the first time, when he painted "Barrier" in several version, a direct predecessor to the picture. The soldier in this picture had been portrayed as a contrast between a policeman and a worker in the early 1930s. The figure of the protetarian mother with her child projects the monumetal "Proterarian Mother" to follow in a few months. Derkovits built the composition on contrasts with respect to psychology, content and colours. The state power armed with weapons is contrasted with the prolatarian mother in the picture. The composition with several viewpoints is integrated into one viewpoint, in that of the spectatator. Derkovits breaks space around the proletarian family into pieces which he carries to extremes by painting a reddish-brown figure, a brownish background, a bluish-green horse and ships in cold colours and adds patches in definite contours to make the picture even more hectic. Type: other Time-line: 1926-1950 Form: painting |
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