File:Bogdany, Jakab - Still-life with Birds.jpg
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Captions
Summary
[edit]Jakob Bogdani: Still-life with Fruits, Parrots and White Cockatoo | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q833333 |
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Title |
Still-life with Birds |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | still life | |||||||||||||||||||||||
Date |
1710s date QS:P571,+1710-00-00T00:00:00Z/8 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 98 cm (38.5 in); width: 128.5 cm (50.5 in) dimensions QS:P2048,98U174728 dimensions QS:P2049,128.5U174728 |
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Collection |
institution QS:P195,Q252071 |
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Accession number |
3681 |
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References | http://mng.hu/collection/still-life-with-fruits-parrots-and-white-cockatoo-1283 | |||||||||||||||||||||||
Source/Photographer | Fine Arts in Hungary: |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 14:53, 7 December 2008 | 950 × 679 (95 KB) | Jedudedek (talk | contribs) | {{Information |Description= |Source=internet |Date= |Author= |Permission=Reproduction of a painting that is in the public domain because of its age |other_versions= }} {{PD-Art}} Category:Jakab Bogdány |
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JPEG file comment | BOGDÁNY Jakab
(1660 körül, Eperjes - 1724, London) Csendélet madarakkal 1710-es évek Olaj, vászon, 98 x 128,5 cm Magyar Nemzeti Galéria, Budapest Az eperjesi protestáns családból származó Bogdány Jakab feltehetõen Bécsben kezdte meg tanulmányait, majd 1684-tõl 1688-ig Hollandiában, a polgári mûfajok - kiváltképp a csendéletfestés - akkori központjában, Amszterdamban mûködött. A fiatal festõ számára a holland példa több szempontból is meghatározónak bizonyult: hatása virágképein és gyümölcscsendéletein elsõsorban a színkezelésben, valamint a finom technikai megoldásokban ismerhetõ fel, míg madaras képeinek életképszerû komponálásmódja Melchior de Hondecoeter állatábrázolásainak továbbfejlesztésérõl tanúskodik. Bogdány képei ugyanis jobbára elõkelõ park-környezetben játszódó zsánerek, madárszereplõkkel alakított "társasági képek", melyeken a bemutatás választékosságát reprezentatív képelemek - szökõkút, antik romkulissza - segítik. A festõ ebben megrendelõi ízléséhez és képei majdani környezetéhez alkalmazkodott. Az 1688-ban Angliába telepedett Bogdány ugyanis az angol arisztokrácia és a királyi család részére dolgozott, élete végéig sikeres és megbecsült festõként. Képeinek - mint pl. az itt bemutatott, az 1710-es években készült "Csendélet madarakkal" c. kompozíciónak - szereplõit, az angol gyarmatokról származó egzotikus madarakat az elõkelõ körökben akkor divatos madárházakban volt alkalma tanulmányozni és tárgyszerû pontossággal megörökíteni. Festményeit ma is nagyrészt eredeti helyükön, angol kastélyokban és királyi család nyaralóiban õrzik. BOGDÁNY, Jakab (c. 1660, Eperjes - 1724, London) Still-life with Birds 1710s Oil on canvas, 98 x 128,5 cm Hungarian National Gallery, Budapest It was probably in Vienna that Jakab Bogdány, the son of a Protestant family in the town of Eperjes, began his studies; later, between 1684 and 1688, he worked in Amsterdam, which was then the centre of the bourgeois genres, most notably of still-life painting. For the young painter, the Dutch influence proved decisive on several account: it can be detected in his still-lifes with flowers and fruits in the use of colours, while the genre-like composition of his paintings depicting birds reveals the assimilation of Melchior de Hondecoeter's paintings of animals. Elegant parks with beautiful birds are the sites of Bogdány's high society genre scenes. The exquisite components, such as fountains or antique ruins, enhance the grace and refinement of the composition. The painter obeyed the taste of his commissioners and made their paintings to fit into their surroundings. Bogdány, who moved to England in 1688 and worked for the royal family and for the members of the English aristocracy, died as an esteemed artist. He studied the main attractions of his compositions, the exotic birds from the colonies, in the then very fashionable birds' houses; their precise depiction can also be seen in the painting "Still-life with Birds" from the 1710s. Bogdány's paintings are still kept in their original surrounding, in English mansions and in the summer resorts of the Royal Family. Type: still-life Time-line: 1701-1750 Form: painting |
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- Paintings of birds by Jakab Bogdány
- Parrots in paintings
- Many birds in art
- Paintings by Jakab Bogdány in the Hungarian National Gallery
- 18th-century paintings in the Hungarian National Gallery
- Still-life paintings in the Hungarian National Gallery
- 1710s paintings in Hungary
- 1710s still-life paintings
- 18th-century oil on canvas paintings in Hungary
- 18th-century still-life paintings in Hungary
- 18th-century still-life paintings of fruits
- 18th-century still-life paintings with living birds
- 18th-century still-life paintings with parrots
- Paintings of birds in Hungary
- 1710s paintings of fruits
- Still-life paintings with grapes
- Still-life paintings with figs
- Still-life paintings with peaches
- Still-life paintings with pears
- Still-life paintings of cherries
- Still life paintings by Jakab Bogdány
- Cockatoos in art