File:Blake's Illustrations of Dante, object 7 (Bentley 448-6) The Pit of Disease The Falsifiers.jpg
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creator QS:P170,Q41513 |
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Description |
English: Blake's Illustrations of Dante, object 7 (Bentley 448-6) The Pit of Disease The Falsifiers |
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Date | 1826 | |||||||||||||||||||||||
Collection | Private collection of Robert N. Essick | |||||||||||||||||||||||
Notes | Further record of the object available from the William Blake Archive | |||||||||||||||||||||||
Source/Photographer |
institution QS:P195,Q7774989
http://www.blakearchive.org/exist/blake/archive/object.xq?objectid=bb448.1.spb.07&java=no |
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Object ID: PUBLIC"-//University of Virginia::Institute for Advanced Technology in the Humanities::The William Blake Archive//NONSGML(US::ESSICK::none::Blake's Illustrations of Dante, copy 1::Object 7)//EN" Title: Blake's Illustrations of Dante, copy 1 Object 7 Bentley 448.6 Origination: William Blake: inventor, delineator, engraver Origination: Printer not recorded: printer Publisher: John Linnell and his family Note: Neither the cover label nor the plates themselves indicate a publisher, but the Dante engravings were printed for and sold by John Linnell in 1838, and by the Linnell family c. 1892. Place of Publication: London Imprint Date: 1838 and c. 1892. Note: No date of publication is given on the cover label or the engravings. Date of Composition: 1826-27 Print Date: 1838 (cover label), c. 1892 (the 7 engravings) Present Location and Contact Information Collection of Robert N. Essick Altadena, CA
Collection: Collection of Robert N. Essick Note: URL: http://www.blakearchive.org/ Sponsored by: The Institute for Advanced Technology in the Humanities, the Library of Congress, and the University of North Carolina at Chapel Hill with a software grant from Inso Corporation and hardware and software grants from Sun Microsystems
Funded By: The National Endowment for the Humanities, 2000-02 Funded By: Paul Mellon Centre for Studies in British Art, 1997-98 Funded By: The Getty Grant Program, 1995-98
Copyright (c) 2004 by Morris Eaves, Robert N. Essick, and Joseph Viscomi, all rights reserved. Items in the Archive may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher, the Institute for Advanced Technology in the Humanities. Permission to reproduce the graphic images in this archive has been granted by the owners of the originals for this publication only. This image copyright (c) 2004 The William Blake Archive. Editors: Morris Eaves, University of Rochester, Robert Essick, University of California, Riverside, and Joseph Viscomi, University of North Carolina at Chapel Hill Note: Information below pertains to the source file for the in-line 100 dpi and the enlarged 300 dpi JPEG (ISO/IEC 10918) images that are displayed in the Archive after having been individually color-corrected in Adobe Photoshop by the editors. The source files themselves are in TIFF format, and retained by the Archive's editors. Image Production Information Film Stock: Kodak Ektachrome 100 Plus EPP Generation: first Institution: Essick Collection Shoot Date: July 1996 Film Type: color positive Source Dimensions Width: 35.2 cm Height: 27.6 cm Date Scanned: 9-2-04 Scanning Technician: Will Shaw Scanned from: 4x5 transparency Hardware: Microtek ArtixScan 1100 Software: Scanwizard Pro 7 FileInfo File Name: BB448.1.7-6.PS.600.tif File Size (in megabytes): 141.3 File Format: TIFF Color Setting: 24-bit color Orientation: portrait Color Correction Turned On: yes Scanner Setting: manual Image Scaling Information Input Dimensions Width: 10.35 cm Height: 7.39 cm Scaling: 340.0 Output Dimensions Width: 35.2 cm Height: 25.13 cm Scanner Resolution: 600 dpi Final Resolution: 600 dpi Aspect Setting: free Contact information and certain other items recorded above are subjectto change over time. All information is accurate as of Wed Jan 19 10:28:58 EST 2005 |
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