File:Bass relief found at the Opera House (BM 1868,0808.4753).jpg
![File:Bass relief found at the Opera House (BM 1868,0808.4753).jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Bass_relief_found_at_the_Opera_House_%28BM_1868%2C0808.4753%29.jpg/800px-Bass_relief_found_at_the_Opera_House_%28BM_1868%2C0808.4753%29.jpg?20200514120511)
Original file (2,500 × 1,640 pixels, file size: 1.1 MB, MIME type: image/jpeg)
Captions
Captions
Summary
[edit]Bass relief found at the Opera House
(![]() ![]() ![]() |
||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Title |
Bass relief found at the Opera House |
|||||||||||||||||||||||
Description |
English: A design in several compartments purporting to represent five fragments of a stone bas-relief dug up “at the laying of the foundation of the Opera House”, depicting the dancing of the two Vestris. In the upper part of the print are two equal fragments of a frieze: [1] An ape capers between Vestris fils (left) and Vestris père (right). The two dancers are standing on one leg, their arms held out, in attitudes which though caricatured are graceful. The son has a feathered hat, the father a cap surmounted with a coronet of ostrich-feathers. The ape, dressed in a coat and waistcoat, has a muff slung round its neck and a head-dress of peacock's feathers. He mimics the pose of the dancers. On the right is a classical statue of a nude man, the left hand broken off at the wrist. Beneath the ape are the words “In Fashione”, beneath the statue, “Out of Fashione”; across the top of the fragment is inscribed “Son of this Father”.
Etching and mezzotint |
|||||||||||||||||||||||
Depicted people | Representation of: Gaetano Apollino Baldassare Vestris | |||||||||||||||||||||||
Date |
1781 date QS:P571,+1781-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
|||||||||||||||||||||||
Current location |
Prints and Drawings |
|||||||||||||||||||||||
Accession number |
1868,0808.4753 |
|||||||||||||||||||||||
Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) Barbados was devastated by a hurricane in October 1780. On 24 Jan. Lord North proposed a grant of £80,000 for the relief of the island, which was unanimously agreed to. The print contrasts the support given to the performance on behalf of the Barbados sufferers with that given to the benefit of the younger Vestris, see BMSat 5905, 5906. In the season of 1780-1 London society went mad over the dancing of the two Vestris who had come from Paris. Walpole, 'Letters', xi. 340-1, 346, 368, 374, 381, 406, 422. For the sake of the benefit of Vestris fils, on 23 Feb. 1781, the second reading of Burke's Bill of Economic Reform was postponed, Burke saying, "to a great part of that House, a dance was a much more important object than a war, and the Opera House must be maintained whatever became of the country". 'Parl. Hist.' xxi. 1243. Walpole, 'Last Journals', 1910, ii. 348. Much resentment was roused by the popularity of the French dancers and the enormous sums made by them during a war with France. See 'Memoirs of Signor Vestris, Senior' in the 'London Magazine', Apr. 1781. The king incurred disapproval by not attending the Barbados benefit given by Sheridan but going instead to Covent Garden. 'Hist. MSS. Comm.', Carlisle MSS., 1897, p. 459. See also BMSat 5904-11. (Supplementary information) Accompanied by a page of explanatory letterpress-text. |
|||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-4753 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 12:05, 14 May 2020 | ![]() | 2,500 × 1,640 (1.1 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1781 #8,394/12,043 |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Orientation | Normal |
---|---|
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 13:45, 30 September 2005 |
Color space | Uncalibrated |