File:Baltimore and Ohio employees magazine (1920) (14756003814).jpg

Identifier: baltimoreohioemp09balt (find matches)
Title: Baltimore and Ohio employees magazine
Year: 1920 (1920s)
Authors: Baltimore and Ohio Railroad Company Baltimore and Ohio Railroad Company
Subjects: Railroads -- Employees -- Periodicals Railroads -- United States -- Employees
Publisher: (Baltimore, Baltimore and Ohio Railroad)
Contributing Library: University of Maryland, College Park
Digitizing Sponsor: LYRASIS Members and Sloan Foundation

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theRoad come in contact, give them anitinerary for short trips, based on theamount of time available, makingallowance for possible delays, andmaking as few changes of cars aspossible so as to prevent our patronsfrom going astray. Our employes spare no trouble inhelping passengers who are timid andunacquainted with the city. Notlong ago a woman passenger, stop-ping off here after banking hours andhaving very little money with her,wished to have a check cashed. Oneof our women employes located anacquaintance of the passenger, whoidentified the traveler at one of thenight banks. The employe con-sumed about two hours of her owntime in doing this and merely feltthat she had done her duty. Shehas also, on several occasions, es-corted girls to their destinations,when she considered them in need ofprotection. We believe such help on our partto be otur duty to our fellows, and atthe same time we know that it en-courages passengers to use our Roadagain. 22 Baltimore and Ohio Magazine, May, iq2I
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Picture at top shows Chicago Opera train pulling into Pittsburgh; center, Mary Garden; at bottom of page, unloading some of the 75-oot drops, Pittsburgh Yard;upper left, George BaklanofI; upper right, Lucien Muratore; lower left, Galli-Curci; lower right Rosa Raisa ^^^ the devotees of the theatre.Connoting the intimate Hfe of thefolks of the footlight. their every dayhumors and the unvarnished realismof their business; piled high with thedrops and scenes and props that thegenius of the producer transformsfrom tawdry illusion behind thecurtain to amazing actuality before;breathing along with its all tooubiquitous dust and fresh paint thesacred atmosphere of the starsthat have trod its well-worn board—back stage is as much a tanta-lizing curiosity to the bespectacledold lady matinee fiend in the pit asit is to the so):)homoric youth whoseidol stands third from the left in thesecond row of the chorus. And it isback stage where starts the job ofthe transportation manager of agreat opera

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