File:Averse de N. Sugiura (Musée du quai Branly-Jacques Chirac, Paris) - Flickr - dalbera.jpg
![File:Averse de N. Sugiura (Musée du quai Branly-Jacques Chirac, Paris) - Flickr - dalbera.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Averse_de_N._Sugiura_%28Mus%C3%A9e_du_quai_Branly-Jacques_Chirac%2C_Paris%29_-_Flickr_-_dalbera.jpg/610px-Averse_de_N._Sugiura_%28Mus%C3%A9e_du_quai_Branly-Jacques_Chirac%2C_Paris%29_-_Flickr_-_dalbera.jpg?20200817061158)
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[edit]DescriptionAverse de N. Sugiura (Musée du quai Branly-Jacques Chirac, Paris) - Flickr - dalbera.jpg |
Vannerie pour l'ikebana : Averse / Kanakago Shuu Oeuvre de SUGIURA Noriyoshi (né en 1964) 2014 Beppu, région de Kyushu (Préfecture d'Oita) Période Heisei, 2014 Bambou Madake, rotin et laque Institut Bruno Lussato et Marina Fédier Oeuvre présentée dans l'exposition "Fendre l'air. Art du bambou au Japon" au musée du quai Branly - Jacques Chirac, Paris
"Fendre l’air". Les gestes de générations d’artisans japonais résonnent dans le titre de cette exposition inédite, dédiée à l’art des paniers en bambou. Ces artisans se sont d’abord inspirés de modèles chinois qui eux-mêmes cherchaient à imiter avec virtuosité les formes sophistiquées de vases en bronze ou porcelaine. Le renouveau, au début de l’ère Meiji, d’un certain type de cérémonie du thé dont les arrangements floraux utilisaient des récipients en bambou sollicita ensuite la créativité d’artistes raffinés et merveilleusement inventifs. Aujourd’hui encore, la vannerie japonaise en bambou procure à certains de ses créateurs, passés maîtres dans le tressage de la fibre, le prestigieux statut de Trésors nationaux vivants. Parfois dénuées de toute fonctionnalité, les vanneries les plus contemporains se muent en véritables sculptures, formant ainsi un champ artistique d’une profonde originalité. Extrait du site de l'exposition www.quaibranly.fr/fr/expositions-evenements/au-musee/expo... Photo Annie Dalbéra |
Date | Taken on 30 November 2018, 19:24 |
Source | Averse de N. Sugiura (Musée du quai Branly-Jacques Chirac, Paris) |
Author | Jean-Pierre Dalbéra |
Flickr tags InfoField | dalbera , paris , france , musée du quai branly , japonismes 2018 , vannerie , ikebana , annie dalbera , sugiura noriyoshi |
Camera location | 48° 51′ 39.66″ N, 2° 17′ 51.67″ E ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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Licensing
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This image was originally posted to Flickr by dalbera at https://flickr.com/photos/72746018@N00/46090994832. It was reviewed on 17 August 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
17 August 2020
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:11, 17 August 2020 | ![]() | 3,931 × 3,866 (8.88 MB) | Red panda bot (talk | contribs) | In Flickr Explore: 2018-12-02 |
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This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
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Camera model | ILCE-7 |
Exposure time | 1/160 sec (0.00625) |
F-number | f/5 |
ISO speed rating | 6,400 |
Date and time of data generation | 19:24, 30 November 2018 |
Lens focal length | 59 mm |
Image title | |
Width | 6,000 px |
Height | 4,000 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 350 dpi |
Vertical resolution | 350 dpi |
Software used | Adobe Photoshop Elements 12.0 Macintosh |
File change date and time | 09:28, 2 December 2018 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 19:24, 30 November 2018 |
Meaning of each component |
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Image compression mode | 4 |
APEX shutter speed | 7.321928 |
APEX aperture | 4.643856 |
APEX brightness | 1.36484375 |
APEX exposure bias | 0 |
Maximum land aperture | 4.640625 APEX (f/4.99) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 59 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | FE 24-240mm F3.5-6.3 OSS |
Date metadata was last modified | 10:28, 2 December 2018 |
Unique ID of original document | 85E4763C5909CBC09DB6A051F9A7E649 |
IIM version | 32,767 |