File:Aus der Enge in die Weite 03.jpg
Original file (3,072 × 2,304 pixels, file size: 3.3 MB, MIME type: image/jpeg)
Captions
Summary
[edit]DescriptionAus der Enge in die Weite 03.jpg |
Deutsch: „Aus der Enge in die Weite“ heißt das Kunstobjekt von Tobias Michael. Ein stilisierter Mensch verlässt die Enge der – der Berliner Mauer nachempfundenen – Betonelemente, und betritt den freien Raum. |
Date | |
Source | Own work |
Author | Immanuel Giel |
Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
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- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
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The photographical reproduction of this work is covered under the article § 59 of the German copyright law, which states that "It shall be permissible to reproduce, by painting, drawing, photography or cinematography, works which are permanently located on public ways, streets or places and to distribute and publicly communicate such copies. For works of architecture, this provision shall be applicable only to the external appearance."
As with all other “limits of copyright by legally permitted uses”, no changes to the actual work are permitted under § 62 of the German copyright law (UrhG). See Commons:Copyright rules by territory/Germany#Freedom of panorama for more information.العربية ∙ Deutsch ∙ English ∙ Esperanto ∙ español ∙ français ∙ 한국어 ∙ македонски ∙ português ∙ português do Brasil ∙ русский ∙ українська ∙ 中文 ∙ 中文(简体) ∙ 中文(繁體) ∙ +/− |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:21, 9 April 2018 | 3,072 × 2,304 (3.3 MB) | Immanuel Giel (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
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Camera model | DMC-TZ5 |
Exposure time | 1/250 sec (0.004) |
F-number | f/8 |
ISO speed rating | 100 |
Date and time of data generation | 16:26, 5 April 2018 |
Lens focal length | 4.7 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Ver.1.0 |
File change date and time | 16:26, 5 April 2018 |
Y and C positioning | Co-sited |
Exposure Program | Landscape mode (for landscape photos with the background in focus) |
Exif version | 2.21 |
Date and time of digitizing | 16:26, 5 April 2018 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0.33 |
Maximum land aperture | 3.44 APEX (f/3.29) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 28 mm |
Scene capture type | Landscape |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Keywords | Werra |