File:Art and criticism - monographs and studies (1892) (14782307204).jpg

Identifier: criticismmo00chil (find matches)
Title: Art and criticism : monographs and studies
Year: 1892 (1890s)
Authors: Child, Theodore
Subjects: Art criticism
Publisher: Harper
Contributing Library: Whitney Museum of American Art, Frances Mulhall Achilles Library
Digitizing Sponsor: Metropolitan New York Library Council - METRO

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not an eagle ! Like the commission for decorating the Pont de la Con-corde, this project also fell through. The composition of thecolossal eagle trampling on the patriotic emblems of all thenations of Europe might, it was said, disturb the peace of thecontinent, and so no more was heard about it. Barye received,by way of consolation, an order for a colossal lion, and therewas an end, for the time being at least, of all idea of exer-cising his talent on monumental public works. The Institutetriumphed, and the audacious innovator was relegated to hisrank of an animalicr. Nay, more : in the midst of all theseprojects, and as it were at the very moment of his triumph,after his bronzes had won him the decoration of the Legionof Honor, and obtained for him orders from the Government, E3 r °2 c p •z n> > _^ z * o n c V: z X en £ H ~ ^T O n ►j P o 93 < P O * z_ > o f n 1-3 ji, W P » C- C/! O era o Qj r v; r1 p *-t >-« *■< P o z
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ANTOINE LOUIS BARYE. 197 commissions from high persons, and almost the much-desiredopportunity of executing a monumental work, the Institutesuddenly refused to admit his bronzes to the Salon. In 1837the five groups representing scenes of lion, tiger, bear, bull,and elk hunting, ordered by the Duke of Orleans, were re-fused admission to the Salon, on the ground that they werenot sculpture, but goldsmiths work. From 1837 to 1847 there is a lacuna in Baryes life. Natu-rally offended by this last insult offered to his talent, he didnot exhibit again at the Salon until after the revolution of 1848,when a freely elected jury had replaced the vexatious jurisdic-tion of the Academy. Meanwhile he by no means posed as amartyr, but seeing that there was no chance of producing mon-umental works, he pocketed his disappointment, and keepingall his feelings to himself, continued to live his life with thataustere calm and reserve which had been as remarkable inBarye at the age of twenty-five as it wa

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