File:Art and criticism - monographs and studies (1892) (14598160257).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file ‎(1,430 × 2,748 pixels, file size: 307 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: criticismmo00chil (find matches)
Title: Art and criticism : monographs and studies
Year: 1892 (1890s)
Authors: Child, Theodore
Subjects: Art criticism
Publisher: Harper
Contributing Library: Whitney Museum of American Art, Frances Mulhall Achilles Library
Digitizing Sponsor: Metropolitan New York Library Council - METRO

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
given to his figure of a bound slave. She writhesunder the burning bite; her face is drawn with the intolerablepain of it. And yet can it be the mere physical pain of theserpents sting which inspires that look of anguish ? Is it notperhaps memory, or jealousy, or disgust of life, or terror ofdeath ? Is not this mask an allegory of the Comedie Hu-maine, of the tragi-comedy of life? Another work by M.Christophe, called Fatalite, is enthroned in precious chis-elled bronze in the Luxembourg Museum. The figure is thatof a beautiful young woman—Fortune, Destiny, or Fate—whoglides along on her ruthless wheel over the body of a childwith the legs of a faun, while another child laying near thehapless victim, amid flowers and grapes, reads tranquilly in abook, and heeds not the crushing wheel. There is a philo-sophical and symbolical idea of great interest in this group.The pedestal, a monument in itself, indicates at once the sig-nification of the principal figure. The woman carries in one
Text Appearing After Image:
GRIEF.—By M. Augustin Jean Moreau-Vauthier. MODERN FRENCH SCULPTURE. 255 hand a sword, and with the other hand she holds the longband of stuff which, passing across the body and mounting upthe back, terminates in the original and charming head-dress.The attitude of the figure is very picturesque, and has enabledthe sculptor to develop the elegant and grand lines and pureforms of the body. The head, motionless and impassible, com-pletes the impression of inexorable and blind Fatality. Thisfair creature is indifferent; she goes on her course withoutfeeling pleasure or pain; she crushes some without pity orgrief; she avoids crushing others without consciousness ofher mercy. Fortune, Fatality, Destiny, or the personification•of the Darwinian theory of natural selection, M. Christophesbronze expresses clearly a philosophical idea which will alwaysbe interesting. In drawing and modelling, Fatality is thework of a distinguished and strong artistic personality, and inconception it is the

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14598160257/

Author Internet Archive Book Images
Permission
(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Flickr tags
InfoField
  • bookid:criticismmo00chil
  • bookyear:1892
  • bookdecade:1890
  • bookcentury:1800
  • bookauthor:Child__Theodore
  • booksubject:Art_criticism
  • bookpublisher:Harper
  • bookcontributor:Whitney_Museum_of_American_Art__Frances_Mulhall_Achilles_Library
  • booksponsor:Metropolitan_New_York_Library_Council___METRO
  • bookleafnumber:270
  • bookcollection:whitneymuseum
  • bookcollection:artresources
  • bookcollection:americana
Flickr posted date
InfoField
30 July 2014



Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.

Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14598160257. It was reviewed on 27 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

27 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current13:15, 27 September 2015Thumbnail for version as of 13:15, 27 September 20151,430 × 2,748 (307 KB)Fæ (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': criticismmo00chil ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fcriticismmo00chil%2F find matches]...

You cannot overwrite this file.

There are no pages that use this file.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Art_and_criticism_-_monographs_and_studies_(1892)_(14598160257).jpg&oldid=804123572"