File:Arcus Ferdinandini Pars Posterior (BM 1884,0112.59).jpg
![File:Arcus Ferdinandini Pars Posterior (BM 1884,0112.59).jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/7/79/Arcus_Ferdinandini_Pars_Posterior_%28BM_1884%2C0112.59%29.jpg/460px-Arcus_Ferdinandini_Pars_Posterior_%28BM_1884%2C0112.59%29.jpg?20200511133420)
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Captions
Captions
Summary
[edit]Arcus Ferdinandini Pars Posterior
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Artist |
Print made by: Theodoor van Thulden
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Title |
Arcus Ferdinandini Pars Posterior |
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Description |
English: Plate 28: The Arch of Ferdinand: Rear Face; two-tiered structure with lower storey articulated by six columns framing three arches and continued on upper storey with pillasters and statues of male personifications framing a kind of painted triptych; principal picture above central arch represents the Triumph of Prince Ferdinand as he returns from battle in a chariot drawn by horses and surrounded by soldiers bearing the spoils of war and bound prisoners and Victory flying behind crowning him with a laurel wreath; two lateral paintings form a quasi-triptych with the centerpiece, on the left Royal Liberty ('Liberalitas Regis') and on the right Royal Providence ('Providentia Regis'); on either side of the centrepiece stand statues of Honour and Virtue; flanking the second storey are putti holding garlands with coats of arms and male figures bearing torches; above the main picture are the royal arms of Spain guarded by two lions; crowning the pediment is Lucifer as the morning star riding a winged horse and holding aloft a scroll; on either side of the gable are two winged and laureated Victories holding up inscribed shields; at left and right are two tree trunks laden with trophies and with bound captives kneeling at their bases, while the outermost figures are winged personifications of Fame blowing trumpets; the medallions above the smaller portals portray Nobilitas and Iuventas (goddess of youth); after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Etching |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.59 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for further comments see 1884,0112.31. This is the rear, or western, face of the Ferdinandine Arch; for the front face see 1884,0112.57. The arch commemorates the military victory of Prince Ferdinand his cousin, Ferdinand IV, King of Hungary, at Nördlingen in 1634. It stood at the intersection of the Lange Nieuwstraat and the Markgravestraat. Erected on the same monumental scale as the arch dedicated to Ferdinand's brother, Philip IV (1884,0112.43), it has three openings for the procession to pass and interconnected transverse passageways. Construction of the arch was contracted to Jan Wandelaers and painting of the decoration to Caspar van den Hoecke and his son Jan van den Hoecke. Lit: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, pp. 153-162. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-59 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 13:34, 11 May 2020 | ![]() | 1,228 × 1,600 (358 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #3,268/3,454 |
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Metadata
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Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 80 |
Date and time of data generation | 11:04, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 2,448 px |
Height | 3,264 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:16, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 11:04, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.5767563090714 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 687 |
DateTimeDigitized subseconds | 687 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 11:16, 9 January 2019 |
Unique ID of original document | 52A07D3EE21DA833FDAB68FE60A85074 |
IIM version | 20,034 |