File:Apotheosis D. Isabellæ Claræ Eugeniæ (BM 1884,0112.55).jpg
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Captions
Captions
Summary
[edit]Apotheosis D. Isabellæ Claræ Eugeniæ
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Artist |
Print made by: Theodoor van Thulden
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Title |
Apotheosis D. Isabellæ Claræ Eugeniæ |
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Description |
English: Plate 24: The Stage of the Infante Isabella Clara Eugenia, in the form of a monumental two-tiered archway, at the centre a large portal approached by a flight of steps, with two smaller flanking portals on either side; at centre of upper storey, tympanum filled with large picture representing Philip IV appointing Prince Ferdinand Governor of the Netherlands; a plaque below bears dedication to Isabella; flanking the picture on either side are double twisting columns, with the figure of Public Health ('Salus Publica') holding a serpent and patera at left, and the figure of Public Security ('Securitas') bearing a palm branch and an anchor at right; burning candles ornament the upper storey, with a seven-branched candelabra surmounting the centre pediment, lined on each side with seven more smaller candles; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Etching printed from two plates |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.55 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for further comments see 1884,0112.31. This decoration, dedicated to the memory of Ferdinand's predecessor as the Governor of the Netherlands, was erected facing the Clarenstraat across the Lange Nieuwstraat. It appears on nearly the same spot where an arch dedicated to the patron saints of the Infante Isabella had been erected for the Joyous Entry of Albert and Isabella into Antwerp in 1599. The etching consists of two plates, one for the structure of the lower base with flight of steps, which bears the signatures of Rubens, Gevartius and Van Thulden, and one for the upper archway. As Martin suggests, it is possible that Van Thulden cut away existing base and replace with the current one. Lit.: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, p. 133. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-55 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 08:44, 11 May 2020 | ![]() | 1,261 × 1,600 (362 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #2,855/3,454 |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 80 |
Date and time of data generation | 10:21, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 2,448 px |
Height | 3,264 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:01, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 10:21, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.5950681890263 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 173 |
DateTimeDigitized subseconds | 173 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 11:01, 9 January 2019 |
Unique ID of original document | ADBB28A8FCF89018CD229A43F3698D99 |
IIM version | 20,034 |