File:Andrea Mantegna or Follower (Possibly Giulio Campagnola) - Judith with the Head of Holofernes - Google Art Project.jpg
Original file (2,941 × 4,921 pixels, file size: 6.13 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Andrea Mantegna: Judith and Holofernes | ||||||||||||||||||||||||
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Artist |
Andrea Mantegna or Follower (Possibly Giulio Campagnola) (1431 - 1506) – painter (Italian) Born in Italy, Isola di Carturo. Died in Italy, Mantua. |
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Title |
Judith with the Head of Holophernes
label QS:Lit,"Giuditta con la testa di Oloferne"
label QS:Lfr,"Judith avec la tête de Holopherne"
label QS:Lpl,"Judyta z głową Holofernesa"
label QS:Lnl,"Judith met het hoofd van Holofernes"
label QS:Lru,"Юдифь с головой Олоферна"
label QS:Lde,"Judith mit dem Haupt des Holofernes"
label QS:Lpt,"Judite com a cabeça de Holofernes"
label QS:Len,"Judith with the Head of Holophernes"
label QS:Lsl,"Judita s Holofernovo glavo"
label QS:Lcs,"Judita s hlavou Holofernovou"
label QS:Les,"Judit con la cabeza de Holofernes" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | religious art | |||||||||||||||||||||||
Description | ||||||||||||||||||||||||
Depicted people | Judith | |||||||||||||||||||||||
Date | c. 1495/1500 | |||||||||||||||||||||||
Medium |
tempera on panel medium QS:P186,Q175166;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 30.10 mm (1.18 in); width: 18.10 mm (0.71 in) dimensions QS:P2048,30.1U174789 dimensions QS:P2049,18.1U174789 |
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Collection |
institution QS:P195,Q214867 |
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Accession number |
1942.9.42 |
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Object history |
Possibly King Charles I of England; by exchange to William Herbert, 3rd earl of Pembroke [1580-1630], Wilton House, Salisbury, before 1625; by inheritance to his brother, Philip Herbert, 4th earl of Pembroke [1584-1649/1650]; by inheritance to his son, Philip Herbert, 5th earl of Pembroke [1620/1621-1669]; by inheritance to his son, William Herbert, 6th earl of Pembroke [1640-1674]; by inheritance to his half-brother, Philip Herbert, 7th earl of Pembroke [1652/1653-1683]; by inheritance to his brother, Thomas Herbert, 8th earl of Pembroke [1656-1732/1733]; by inheritance to his son, Henry Herbert, 9th earl of Pembroke [1693-1749/1750];[1] by inheritance to his son, Henry Herbert, 10th earl of Pembroke [1734-1794]; by inheritance to his son, George Augustus Herbert, 11th earl of Pembroke [1759-1827]; by inheritance to his son, Robert Henry Herbert, 12th earl of Pembroke [1791-1862]; by inheritance to his nephew, George Robert Charles Herbert, 13th early of Pembroke [1850-1895]; by inheritance to his brother, Sidney Herbert, 14th earl of Pembroke [1853-1913]; by inheritance to his son, Reginald Herbert, 15th earl of Pembroke [1880-1960]; (his sale, Sotheby's, London, 5-6 and 9-10 July 1917, 4th day, no. 542 [sold privately]); listed July to September 1917 in (Thomas Agnew & Sons, Ltd., London) stock, owned jointly with (Duveen Brothers, Inc., London and New York); on approval to Carl W. Hamilton [1886-1967], New York, by 1920, and returned 1921;[2] purchased c. 1923 by Joseph E. Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[3] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania, after purchase by funds of the Estate; gift 1942 to NGA. [1] The painting is first recorded in the Earl of Pembroke's collection at Wilton by C. Gambarini, A Description of the Earl of Pembroke's Pictures, Westminster, 1731: 93, no. 4. Johann David Passavant, Tour of a German Artist in England, English ed., 2 vols, London, 1836: 1:306, connected it with the mention of a painting of Judith by Raphael in Abraham van der Doort's 1639 inventory of the collection of King Charles I (published as Abraham van der Doort, A Catalogue and Description of King Charles the First's Capital Collection of Pictures, Limnings, Statues, Bronzes, Medals, and Other Curiosities, London, 1757), which was said to have been obtained in exchange for two works that had belonged to the Third Earl of Pembroke: a portrait of a young woman and a religious work by Parmigianino. The Raphael Judith is thus mentioned twice in connection with these two other works. First it appears in item no. 15: "A moddest forward full-faced painted younge womans picture..., onely a head, halfe soe bigg as the life wch your-Matie togeither with the 2. Children of Permencius had in way of Exchange for the little Judith of Rafell Urbin when you were Prince of the late decd Lo: of Penbrooke Steward of your Mats houshould: painted upon the right light." The Judith is mentioned again in item no. 26: "Item a peece of. 2. naked Children imbraceing one another signifying Christ and St John in-the desart said to bee don by Parmentius Chaunged by yor Maty with my Lo: Steward Pembrooke decd for a Judith beeing a little intire figure said to have been don by Raphael d'Urben..." (quoted from Oliver Millar, "Abraham van der Doort's Catalogue of the Collections of Charles I," Walpole Society 37 (1960): 79, 81). But Millar 1960: 232, rejecting Passavant's identification, has suggested that the Judith in the inventory may be identifiable with Giorgione's well-known painting of the heroine in the State Hermitage Museum, St. Petersburg. The painting's inclusion in a 1992 exhibition about Lorenzo de' Medici's Giardino di San Marco reflected its occasional identification with a small panel painting of Judith by Mantegna, listed in the 1492 inventory of Lorenzo's collection. This work was similar in scale and function to NGA 1942.9.42, that is, "una tavoletta [small panel] in una cassetta [box] dipinti su una Giudetta chon la testa d'Oloferno e una serva, opera d'Andrea Squarcione [i.e., Mantegna]" (Libro d'inventario 1992: 51). Paul Kristeller, Andrea Mantegna, trans. S. Arthur Strong, London and New York, 1901: 20-21, who did not regard the NGA painting as Mantegna's, listed Lorenzo's little panel of the same subject among the artist's lost or missing works. Lionello Venturi (Pitture italiane in America, Milan, 1931, and expanded English ed., Italian Paintings in America, trans. Countess van den Heuvel and Charles Marriott, 3 vols., New York and Milan, 1933: 2: pl. 340, note) first identified the NGA painting with Lorenzo's picture, and Hans Tietze (Meisterwerke europäischer Malerei in Amerika, Vienna, 1935: 328, and English ed., 1939: 312) followed suit. Though accepted hypothetically by Renata Cipriani, Tutta la pittura del Mantegna, 1st and 2nd ed., Milan, 1956: 60, and English ed., All the Paintings of Mantegna, trans. Paul Colacicchi, 2 vols., New York, 1963: 79, and by Rona Goffen in Small Paintings of the Masters, Masterpieces Reproduced in Actual Size. Early Italian School, ed. Leslie Shore, 3 vols., Redding, Connecticut, 1980: no. 30, the identification was rejected by Erica Tietze-Conrat, Mantegna. Paintings Drawings Engravings, New York, 1955: 245; Niny Garavaglia, L'opera completa del Mantegna, Milan, 1967: 109-110; and Ronald Lightbown, Mantegna, Oxford, 1986: 435, cat. 30. [2] The Getty Provenance Index provides the details about the listing in Agnew's stock. The entry for the painting in the Duveen Brothers Records has the following notations: "1/2 share Scott Fowles," "Sotheby 19/7/17," and "Agnew 23/9/17" (copy in NGA curatorial files; X Book, Reel 422, Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles). According to Edward Fowles (Memories of Duveen Brothers, London, 1976: 127-129), a large collection of Italian paintings was offered on approval to Hamilton by 1920, but he did not purchase them and returned them to Duveen the following year. [3] Widener collection records, in NGA curatorial files, give a purchase date of c. 1921, but the Duveen Brothers Records list expenses for the painting into 1923, indicating they probably still had ownership until that time. |
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Notes | More info at museum site | |||||||||||||||||||||||
References | ||||||||||||||||||||||||
Source/Photographer | NgFrm_BVSet7WA at Google Cultural Institute maximum zoom level | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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current | 21:04, 18 October 2012 | 2,941 × 4,921 (6.13 MB) | DcoetzeeBot (talk | contribs) | =={{int:filedesc}}== {{Google Art Project |commons_artist= |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commons_object_history= |commons_exhibi... |
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File usage on Commons
The following page uses this file:
File usage on other wikis
The following other wikis use this file:
- Usage on avk.wikipedia.org
- Teza:Bastakara va Oloferne
- Giuditta bastakasa va Oloferne (1) (trutca ke Gentileschi)
- Giuditta bastakasa va Oloferne (2) (trutca ke Gentileschi)
- Giuditta do zanisikya (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (1) (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (2) (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (3) (trutca ke Gentileschi)
- Giuditta is Oloferne (trutca ke Caravaggio)
- Giuditta is zanisikya (trutca ke Gentileschi)
- Usage on en.wikipedia.org
- Usage on fr.wikipedia.org
- Holopherne
- Juditha triumphans
- Judith (pièce de théâtre)
- Livre de Judith
- Judith et Holopherne (film, 1909)
- Judith et Holopherne (Le Caravage)
- Le Retour de Judith à Béthulie
- La Découverte du cadavre d'Holopherne
- Judith (Giorgione)
- Betulia liberata
- Judith et Holopherne (Klimt)
- Judith et Holopherne (Goya)
- Judith II
- Judith avec la tête d'Holopherne (Mantegna)
- Judith aux portes de Béthulie
- Judith tenant la tête d'Holopherne (Mantegna)
- Modèle:Palette Livre de Judith
- Judith (poème)
- Judith (Georges Reverdy)
- Judith et Holopherne (Donatello)
- Judith décapitant Holopherne (Gentileschi, Naples)
- Judith décapitant Holopherne (Palais Zevallos)
- Judith (Riedel)
- Judith et Holopherne (film, 1959)
- Judith décapitant Holopherne
- Discussion:Judith décapitant Holopherne
- La Giuditta
- La Giuditta (3 voix)
- La Giuditta (5 voix)
- Judith (Palma le Vieux)
- Judith décapitant Holopherne (Le Caravage ou Finson)
- Judith (Vouet)
- Béthulie
- Judith et sa servante (Sustris)
- Judith et Holopherne (Michel-Ange)
- Judith tenant la tête d'Holopherne
- Judith (Livre de Judith)
- Judith décapitant Holopherne (Gentileschi, Florence)
- L'Ange, debout dans le soleil
- Judith (Serov)
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