File:Amour en friche.jpg
Original file (1,353 × 1,749 pixels, file size: 999 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Erik Pevernagie: Love lying fallow | |||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q467390 |
||||||||||||||||||
Title |
Love lying fallow label QS:Len,"Love lying fallow"
label QS:Lfr,"Amour en friche" |
||||||||||||||||||
Object type | painting | ||||||||||||||||||
Description |
“When Love bites the dust - Avec l’Amour en friche” ' by Erik Pevernagie, 100 x 80 cm, oil on canvas xx
When people are missing out on their choices and mix up pleasant, witty, funny, filthy, or scurrilous walks of life, they have a hard time inhabiting a pleasing and enriching experience and integrating into a world of understanding and recognition. If we don't remain undyingly hungry for awareness and attention, our lives stay desperately short. If energy and enthusiasm are quenched, feelings are dried up, and emotions remain scorched and parched, love and affection become tangled in a flat, numb marsh. Nothing is growing any longer: no flowers, no foreseeable hope, and no potential prospects. If no seed of loving care has been sown, no bud comes into bloom. A bud of expectation becomes an illusion, and life reaches a standstill. Love is lying fallow: "L’amour est en friche." Ignorance or indifference are the keystones of disillusionment when love gets on the slippery slope. When love bites the dust and nothing strikes a chord anymore, soothing vibrations of happiness vanish deviously. The ethereal and exalting feel of harmony we mostly ignored but that was subliminally present has ultimately disappeared. Love can be a frightening experience, and it's not uncommon for people to fear becoming infatuated. Some may avoid the risk altogether, retreating when the path becomes uncertain. In these moments, it's important to remember that fear is a natural part of the journey. A romantic escapade can become a gamble and remain an adventure with surprises. Love is like a musical score: sometimes very tuneful, creating a harmony of sounds, and sometimes extremely harsh, striking a hell of false notes. Singer Amy Winehouse felt like lying fallow in the ground of a wasteland "with tears dry, dying a hundred times, going back to black" and leaving eventually for a place of ultimate sorrow and heartbreak, for a point of no return. Phenomenon: Love, attention and consideration. Factual starting point: Girl lying' '
Amour en friche On peut sentir, bien que parfois trop tard, quand l'énergie est brûlé et l'enthousiasme a disparu. Avec les émotions cela ce passe de la même façon. "Parfois l'amour est comme la terre dans un terrain vague. Rien n'y semble plus pousser. Aucune fleur semble avoir l'espoir d'y germer encore. Aucune semence semble encore avoir la chance de trouver son chemin vers le terroir. Tout espoir semble être mort .... "Amy Winehouse" s'est sentie comme une fille en friche, "mille fois abandonnée et à chaque fois de retour au point de depart, c'est-à-dire: nulpart. Braakliggende liefde Mensen kunnen voelen, weliswaar soms te laat, wanneer hun energie opgebrand is en hun geestdrift is afgestorven. Met emoties gebeurt dit ook. "Soms is liefde als grond in een woestenij, waar niets meer lijkt te groeien. Geen enkele bloem ontluikt nog op de brakke grond. Geen zaad vindt nog zijn weg naar de bodem. Elke hoop schijnt afgestorven te zijn. "Amy Winehouse" voelde zich als een braakliggend meisje, troosteloos, duizend keer verlaten en telkens terug op het nulpunt: m.a.w. nergens. |
||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||
Source |
This file is lacking source information.
Please edit this file's description and provide a source. |
|object type = painting |date = 2007
|medium = oil on canvas
|dimensions = 100 x 80 cm |institution = |department = |accession number = |place of creation = |place of discovery = |object history = |exhibition history = |credit line = |inscriptions = |notes = |references = |source = Made in the artist's studio
Previously published: Own Website
|permission =
|
This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2014123110008224. If you have questions about the archived correspondence, please use the VRT noticeboard.
Ticket link: https://ticket.wikimedia.org/otrs/index.pl?Action=AgentTicketZoom&TicketNumber=2014123110008224
|
|other_versions = |other_fields =
}}
Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 23:42, 20 December 2014 | 1,353 × 1,749 (999 KB) | Onlysilence (talk | contribs) | File:Wasteland (100 x 80 cm) Sometimes love is like ground in a wasteland. Nothing seems to grow. No flowers. No seed. No immediate hope. No positive expectations. Category: Erik Pevernagie I am the painter, who gave Licence to :Internation... | |
23:42, 20 December 2014 | 1,353 × 1,749 (999 KB) | Onlysilence (talk | contribs) | File:Wasteland (100 x 80 cm) Sometimes love is like ground in a wasteland. Nothing seems to grow. No flowers. No seed. No immediate hope. No positive expectations. Category: Erik Pevernagie I am the painter, who gave Licence to :Internation... | ||
14:53, 25 April 2012 | 1,353 × 1,749 (999 KB) | International-critics (talk | contribs) | {{subst:Upload marker added by en.wp UW}} {{Information |Description = {{en|Axelle Red (100 x100cm) Painting dedicated to Axelle Red. This singer is a source of inspiration. Through her songs she becomes a red wire through daily life. Being a perfect ... |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
File usage on other wikis
The following other wikis use this file:
- Usage on www.wikidata.org
Structured data
Items portrayed in this file
depicts
2007
image/jpeg
88005d91b11470574cecb673da81257b513cda6f
1,023,038 byte
1,749 pixel
1,353 pixel
- Pages with complex technique templates
- Images without source
- Artworks with main subject missing same depicts
- Artworks with Wikidata item
- Artworks with Wikidata item missing genre
- Artworks main subject 2D work
- Uploaded with en.wp upload wizard
- Items with VRTS permission confirmed
- CC-BY-SA-3.0
- Files with no machine-readable source