File:American painters- with eighty-three examples of their work engraved on wood (1879) (14767411491).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(1,968 × 1,318 pixels, file size: 1.11 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: americanpainters00shel (find matches)
Title: American painters: with eighty-three examples of their work engraved on wood
Year: 1879 (1870s)
Authors: Sheldon, George William, 1843-1914
Subjects: Painters Painting, American
Publisher: New York : D. Appleton and company
Contributing Library: University of California Libraries
Digitizing Sponsor: Internet Archive

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
ecution will bear any technical criticism. In Paisley, Scotland, in the year 1822, Mr. William Hart was born. Atthe age of nine he was brought to this country by his parents, who madetheir new home in Albany, New York, and apprenticed their son to a coach-maker. It was as a decorator of panels in the shop of this mechanic thatMr. Hart made his first public appearance as a painter. For several years hecontinued in the same modest business. Soon success encouraged him towiden the field of his labors, and he began to sketch from Nature and to dec-orate window-shades. In his eighteenth year he was graduated a portrait-painter. His prices were five dollars a head; his studio was in his fatherswood-shed in the neighboring city of Troy. His first fee of five dollars, hesays, made him feel prouder than he has ever felt since on similar occasions. The daguerreotype, the ambrotype, and the photograph, being at that timeunknown, and the liking for likenesses of the human face being not less real
Text Appearing After Image:
w X >•a Xh<0. Id Ih WILLI A M II ART. 85 nor common than in later years, Mr. Hart found opportunities for paintingmany portraits; but, as the production of every portrait consumed severaldays, he did not get rich fast. He found that five days work, for instance,yielded him at once a revenue of precisely five dollars whenever his customerwas prompt in making payment; and it did not take him long to calculate thepossibilities of his progression in this financial direction. He began to try hisbrush on landscapes, and to sell them for cash or by barter. As his facilityand skill increased, he increased the price of his portraits. He went to Michi-gan and furnished the inhabitants of that young and thriving State with veri-similitudes of their features and figures at twenty-five dollars an inhabitant,boarding around among his patrons, and thus killing two birds with onestone. This he did for three years, but at the expiration of that time, havingfailed to become acclimatized suffici

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14767411491/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Flickr tags
InfoField
  • bookid:americanpainters00shel
  • bookyear:1879
  • bookdecade:1870
  • bookcentury:1800
  • bookauthor:Sheldon__George_William__1843_1914
  • booksubject:Painters
  • booksubject:Painting__American
  • bookpublisher:New_York___D__Appleton_and_company
  • bookcontributor:University_of_California_Libraries
  • booksponsor:Internet_Archive
  • bookleafnumber:163
  • bookcollection:cdl
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014



Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14767411491. It was reviewed on 30 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

30 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current18:00, 14 November 2015Thumbnail for version as of 18:00, 14 November 20151,968 × 1,318 (1.11 MB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
10:11, 30 September 2015Thumbnail for version as of 10:11, 30 September 20151,318 × 1,974 (1.06 MB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': americanpainters00shel ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Famericanpainters00shel%2F fin...

There are no pages that use this file.