File:Abraham I Janssens, Herkules fordriver Faunus fra Omfales leje, 1607, KMSsp344, Statens Museum for Kunst.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file ‎(4,853 × 3,829 pixels, file size: 13.09 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Abraham Janssens I: Hercules Kicking Faunus out of Omfale's Bed  wikidata:Q9291475 reasonator:Q9291475
Artist
Abraham Janssens I  (1575–1632)  wikidata:Q330139
 
Abraham Janssens I
Description painter and designer
Date of birth/death 1575 Edit this at Wikidata 25 January 1632 Edit this at Wikidata
Location of birth/death Antwerp Antwerp
Work location
Antwerp; Rome Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Herkules fordriver Faunus fra Omfales leje
title QS:P1476,da:"Herkules fordriver Faunus fra Omfales leje"
label QS:Lda,"Herkules fordriver Faunus fra Omfales leje"
Object type painting
object_type QS:P31,Q3305213
Genre mythological painting Edit this at Wikidata
Description
Dansk: Herkules fordriver Faunus fra Omfales leje
Dansk: Jupiter og Antiope
Dansk: Mars og Venus
Depicted people Pan Edit this at Wikidata
Date 1607
date QS:P571,+1607-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,490 mm (58.66 in); width: 1,890 mm (74.40 in)
dimensions QS:P2048,1490.0U174789
dimensions QS:P2049,1890.0U174789
institution QS:P195,Q671384
Accession number
KMSsp344
Object history
  • Dansk: - I Grev Christian Danneskiold-Samsøes Samling (1702-28)

- 1731: på Christian Danneskiold-Samsøes auktion, lod 66 (som Abr. Bloemaert: Mars og Venus) - Bragt til landet af grev Christian Gyldenløve eller Chr. Danneskiold-Samsøe som et værk af Abraham Bloemaert (Jesper Svenningsen: Samlingssteder. Udenlandsk billedkunst i danske samlermiljøer 1690-1840, p. 40)

Placeringshistorie: - 1924, aug.: til Domus Medica - 1929, 7. juni: tilbage - 1929, juni: til Kronborg

- 1983, 21. sept.: Sølvgade
Exhibition history
  • Christian IV og Europa : den 19. Europarådsudstilling, Sølvgade, 30 March 1988–25 September 1988
  • Clinch!, Sølvgade, 1 April 2004–28 November 2004
Inscriptions
ABJ [monogram] 1607
Notes
  • Dansk: Værkdatering: 1607
  • Dansk: Tidligere Inventarnumre:

- Kunstkammerets Inventar, tome I p. 887 (under 1732) nr. 37 (som Bloemaert: Mars og Venus)

Katalognumre: - Spengler nr. 344 (som Abr. Bloemaert) - Cat. 1864 nr. 118 (som Abr. Bloemaert) - Cat. 1875 nr. 42 (som Abr. Bloemaert) kat. 1896: nr. 40 (som Abr. Bloemaert)

- Kat. 1946 nr. nr. 347 (Abraham Janssens?)
References
  • Alfred von Wurzbach (1906-1911) Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, under Abraham Bloemaert, 1832
  • Olaf Koester (2000) Flemish paintings: 1600 - 1800, p. 125ff, afb. p. 23 farveplanche 8, afb. p. 326 fig. 65 (s/h), 2000-589
  • Ubekendt (2000) Greek gods and heroes in the age of Rubens and Rembrandt, p. 234 (Ulægges som Herakles, Pan og Omfale), afb. p. 235 (f), 2001-419
  • Ubekendt (1963) Deutsche und niederländische Malerei zwischen Renaissance und Barock, p. 37 (under no. 153), 2002-442
  • Gustav Delbanco (1928) Der Maler Abraham Bloemaert (1564-1651), p. 44f, 78 no. 8, planche 9 fig. XXII (fraskriver Bloemaert maleriet, som han benævner "Herkules og Omphale", idet han sammenstiller det med det af Lazari Opvækkelse" i München [omtalt af Deschamp i Vie des peintres I, 1753 som Janssens hovedværk], der ligeledes er betegnet med monogram AB, dateret 1607 og har været Bloemaert tilskrevet., 21511
  • Friedrich Wilhelm Basilius von Ramdohr (1792) Studien zur Kenntniss der schönen Natur, der schönen Künste, der Sitten und der Staatsverfassung, auf einer Reise nach Dännemark: Erster Theil=1, vol. I: p. 128, 2518
  • Frederick Antal (1966) Classicism and romanticism: with other studies in art history, p. 47 note 2, 33117
  • Lucius Grisebach (1974) Willem Kalf 1619 - 1693, p. 234 under kat.nr. 59, 38643
  • A. Pigler (1974) Barockthemen: eine Auswahl von Verseichnissen zur Ikonographie des 17. und 18. Jahrhunderts, vol. II: p. 124, 39100
  • Ubekendt (1976) Holländische und flämische Gemälde des siebzehnten Jahrhunderts im Bode-Museum, under no. 1898, 63116
  • Steffen Heiberg (1988) Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Olaf Koester, Christian IV og billedkunstens Europa, p. 321, kat. nr. 1042, 88-222
  • Paul Huvenne (1990) Jan Boeckhorst 1604-1668: Maler der Rubenszeit, p. 49, 50 fig. 19, 90555
  • Bente Gundestrup (1991) Det kongelige danske Kunstkammer 1737, vol. I: pp. 384-86, 91-342
  • Peter C. Sutton (cop 1993) The age of Rubens, p. 15, repr. fig. 5, 94-295
  • Ubekendt (1993) Von Bruegel bis Rubens: das goldene Jahrhundert der flämischen Malerei, p. 329f, no. 38.1, repr. p. 329 (skrevet af Justus Müller Hofstede), C 19526
  • Hans Vlieghe (1998) Flemish art and architecture 1585-1700, p. 21-22, afb. (farve), C 23718
  • H. Gerson (1960) Art and Architecture in Belgium, 1600 to 1800, p. 180, note 12 (inv.no. forkert angivet som 349) (sammenstiller det med "Kongernes Tilbedelse" - C.Mostaerts Sml., sign. AB 1605 - og Lazarus opvækkelse (München 153, sign. AB1607 (jvf. ovenfor)), C 6970:5 ne
  • F. Antal (date unspecfied) Zum Problem des niederländischen Manierismus, p. 208 note 1 (mener at billedet i München og sandsynligvis også det i København med rette er tilskrevet Janssens)
  • H. Kauffmann (date unspecfied) Overzicht der litteratuur betreffende nederlandsche kunst, p. 131
  • J. Müller Hofstede (date unspecfied) Abraham Janssens. Zur Problematik des flämischen Caravaggismus, pp. 212f, 232, 245, 246f, repr. fig. 19
  • Ubekendt (date unspecfied) De Bruegel á Rubens: L'école de peinture anversoise 1550-1650, p. 90, no. 26, repr. p. 91
  • Justus Müller Hofstede (2005) Zwei Frühwerke von Abraham Janssens, 282 n2, eks30 Jan 2006 13:10:31:263
  • Jesper Svenningsen (2023) Samlingssteder. Udenlandsk billedkunst i danske samlermiljøer 1690-1840, Fig. 7
Source/Photographer

Licensing

[edit]

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1651, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current21:23, 20 May 2024Thumbnail for version as of 21:23, 20 May 20244,853 × 3,829 (13.09 MB)WLKBot (talk | contribs){{SMK Open|KMSsp344}}

You cannot overwrite this file.

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Abraham_I_Janssens,_Herkules_fordriver_Faunus_fra_Omfales_leje,_1607,_KMSsp344,_Statens_Museum_for_Kunst.jpg&oldid=877992240"