File:A noble lord, on an approaching peace, too busy to attend the expenditure of a million of the public money- (BM 1868,0808.5630).jpg
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Captions
Summary
[edit]A noble lord, on an approaching peace, too busy to attend the expenditure of a million of the public money- ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: James Gillray
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Title |
A noble lord, on an approaching peace, too busy to attend the expenditure of a million of the public money- |
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Description |
English: Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed:
Etching and aquatint |
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Depicted people | Associated with: Edmund Burke | |||||||||||||||||||||||
Date |
1787 date QS:P571,+1787-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.5630 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) The last name, on the paper that the foremost Jew holds out to Lansdowne, suggests that the other names have a satirical significance: J. Bond, clerk and afterwards magistrate at Bow Street, was satirized by Gillray in 1782 (BMSats 6120, 6121); P. Jones is perhaps Paul Jones, see BMSat 5559, &c. Lansdowne is attacked for the Peace Preliminaries of 1783, cf. BMSat 7623; the accusation of timing them for purposes of speculation was not made in the satires catalogued in volume v (see BMSat 6184, &c). For his sympathies with nonconformity cf. BMSat 7628. Lansdowne (Shelburne) was called the Jesuit of Berkeley Square; hence probably the appearance in the print of Burke, though he had resigned on Shelburne's appointment as First Lord of the Treasury, see BMSat 6011, &c. The occasion of this print is the Treaty of Commerce with France (implied in 'Billy Paradice'), see BMSat 6995, &c, and perhaps also the altercation between Richmond and Lansdowne on 5 March, &c. See BMSat 7148, &c. For the use of Sayers's signature cf. BMSat 7146. Grego, 'Gillray', p. 85. Wright and Evans, No. 21. Reproduced, Fitzmaurice, 'Life of Shelburne', 1912, ii. 200. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-5630 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 23:54, 10 May 2020 | 1,600 × 1,180 (742 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1787 #4,539/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 15:44, 6 July 2006 |
Color space | Uncalibrated |