File:A new history of painting in Italy, from the II to the XVI century; (1908) (14773237152).jpg

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Identifier: gri_33125002699086 (find matches)
Title: A new history of painting in Italy, from the II to the XVI century;
Year: 1908 (1900s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 Hutton, Edward, 1875-1969
Subjects: Painting, Italian
Publisher: London, J. M. Dent New York, E. P. Dutton
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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Giovanni Pisano. MADONNA AND CHILD (IVORY) Duomo, Pisa. GIOVANNI PISANO 119 than tlii.s, he might possibly have been the author of the externaladditions to the Baptistery of Pisa, by which that ancient edificewas in 1278 incrusted with balconies, arches, pillars, and statuettes ;and the old frieze of Bonamicus on the eastern gate was crownedby a standing figure of the Virgin and Child between two saints,one of whom, S. John, introduced to her the youthful kneelingfigure of one Pietro.^ Here Giovanni laboured in that grandstyle which marked his work at Perugia, a style by which otherworks of the same period might likewise be distinguished. Thelife size Virgin and Child in the interior of the Campo Santo ^ maybe placed amongst this class, and admitted as one revealing in themaster a f eehng of grandeur allied to a study of nature in its happiestmood. The infants playful smile pleasantly contrasts with theclassical features of the Virgin, her antique profile and broadfleshy throat, and u

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29 July 2014
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