File:A Mungo Macaroni (BM 1915,0313.174).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(1,172 × 1,600 pixels, file size: 230 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
A Mungo Macaroni   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Title
A Mungo Macaroni
Description
English: No.14: A man of African descent, dressed as a macaroni, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis. 10 September 1772
Etching
Depicted people Representation of: Julius Soubise
Date 1772
date QS:P571,+1772-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 176 millimetres
Width: 125 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1915,0313.174
Notes

(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) It is been suggested that this print is a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a black slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government. He was a butt of the caricaturists, see BMSat 4267, &c., and index. Perhaps Soubise, see BMSat 5120, a caricature of whom was drawn by Angelo, 'Reminiscences', 1904, ii. 268.

However, Darly's Mungo Macaroni is undoubtedly modeled on Julius Soubise (1754-1798), who was born enslaved on St. Kitts and later became the protégé of Catherine Hyde, Duchess of Queensbury (1701-1777) and friend of Ignatius Sancho (c. 1729-1780). For commentary on a related print by William Austin (BM Satires 5120), see "Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain" (YCBA, 2014).

For further discussion, see Temi Odumosu, "Africans in English Caricature 1769-1819: Black Jokes, White Humour" (Harvey Miller) 2017, chapter 1, "The Overdressed Slave: Servants, Pets and 'Mungo' Macaronis", pp. 49-97.
Source/Photographer https://www.britishmuseum.org/collection/object/P_1915-0313-174
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current01:33, 9 May 2020Thumbnail for version as of 01:33, 9 May 20201,172 × 1,600 (230 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1772 #1,114/12,043

Metadata