File:15th-century unknown painters - Deposition - WGA23569.jpg
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Captions
Summary
[edit]Vrancke van der Stockt: Deposition by Vrancke van der Stockt in the Alte Pinakothek | |||||||||||||||||||||||||||
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Artist |
Vrancke van der Stockt |
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Title |
The Deposition label QS:Lit,"La Deposizione"
label QS:Lja,"キリスト降架"
label QS:Lfr,"La Déposition"
label QS:Lpl,"Zdjęcie z krzyża"
label QS:Lnl,"De kruisafneming"
label QS:Lde,"Die Kreuzabnahme"
label QS:Lpt,"A Deposição"
label QS:Len,"The Deposition"
label QS:Lvec,"La Deposission"
label QS:Lmk,"Симнување од крстот"
label QS:Les,"El Descendimiento de la cruz" |
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Object type | painting | ||||||||||||||||||||||||||
Genre | religious art | ||||||||||||||||||||||||||
Description | |||||||||||||||||||||||||||
Depicted people | Jesus | ||||||||||||||||||||||||||
Date | circa | ||||||||||||||||||||||||||
Medium | oil on oak wood | ||||||||||||||||||||||||||
Dimensions |
height: 57 cm (22.4 in); width: 52 cm (20.4 in) dimensions QS:P2048,57U174728 dimensions QS:P2049,52U174728 |
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Collection |
institution QS:P195,Q154568 |
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Accession number | |||||||||||||||||||||||||||
References | RKDimages, Art-work number 210173 | ||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/master/zunk_fl/15_paint/2/00deposi.html" |
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Permission (Reusing this file) |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 07:55, 6 June 2011 | 1,004 × 1,100 (165 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = Unknown Master, Flemish (active around 1460 in Brussels) |title = {{The Deposition}} |description = |date = {{other date|ca|1460}} |medium = {{Techniqu |
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JPEG file comment | UNKNOWN MASTER, Flemish
(active around 1460 in Brussels) Deposition c. 1460 Oil on oak panel, 57 x 52 cm Alte Pinakothek, Munich With the body of Christ still on the Cross high above the scene, this picture, presumably painted in Brussels, shows the Deposition in a more traditional way than Rogier's famous version (Prado, Madrid). On the right are the centurion who recognized the Son of God, and his followers; it is not clear which of the two figures in the foreground is actually the centurion, since they are both making gestures that would be suitable for him. The artist who painted this small Deposition used figures from Rogier van der Weyden's great painting for the body of Christ and for Nicodemus, and drawing on other works by Rogier van der Weyden and by the Master of Flémalle for the remaining figures. The group of the Virgin and St John, for instance, was taken from the Seven Sacraments Altarpiece (Museum of Fine Arts, Antwerp). However, the painter of this Deposition fails to unite the groups of figures successfully. The small panel of the Deposition, certainly not painted before the middle of the century, seems to have found its way quite early to southern Germany, where parts of it were already being copied in 1465 (Hof Altarpiece by Hans Pleydenwurff in the Alte Pinakothek, Munich). Like the composition of the Descent from the Cross, probably of roughly the same date, it is a relatively early example of the work of independent artists who picked up ideas from Rogier, imitating his style as best they could.
Author: UNKNOWN MASTER, Flemish Title: Deposition Time-line: 1451-1500 School: Flemish Form: painting Type: religious |
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image/jpeg
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169,215 byte
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1,004 pixel
- Images from Web Gallery of Art
- PD-old missing SDC copyright status
- CC-PD-Mark
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- WGA form: painting
- WGA type: religious
- WGA School: Flemish
- WGA time period: 1451-1500