File:1517, Sebastiano del Piombo, Art Institute of Chicago, Chicago, Illinois.jpg
![File:1517, Sebastiano del Piombo, Art Institute of Chicago, Chicago, Illinois.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/2/2e/1517%2C_Sebastiano_del_Piombo%2C_Art_Institute_of_Chicago%2C_Chicago%2C_Illinois.jpg/450px-1517%2C_Sebastiano_del_Piombo%2C_Art_Institute_of_Chicago%2C_Chicago%2C_Illinois.jpg?20221118075208)
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[edit]Description1517, Sebastiano del Piombo, Art Institute of Chicago, Chicago, Illinois.jpg |
English: This painting by represents one of the most popular compositions invented by one of the most distinguished painters working in Rome during the High Renaissance. In the 1510s, following an early period in Venice, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively atmosphere of competition between the two great luminaries of the period, Michelangelo Buonarroti and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for some of Sebastiano’s major commissions. Following Raphael’s death in 1520, the painter and historian Giorgio Vasari stated that
“first place in the art of painting was unanimously granted by all, thanks to the favor of Michelangelo, to Sebastiano.” Christ Carrying the Cross draws upon recent developments of an enormously popular iconography by artists including Giovanni Bellini, Giorgione, and Andrea Mantegna, among others. Here, Simon of Cyrene assists Jesus, emphasizing the heavy weight of the cross on his shoulders. A Roman soldier stands behind, his jeering face just visible in the darkness. In the background, the tightly packed composition opens up onto a crowd assembling at the foot of the hill of Golgotha, with two crosses barely visible. The luminous landscape is a hallmark of the artist’s Venetian training. The painting’s dramatic visual impact is a result of the powerful diagonals of the cross; the dynamic, almost sculptural quality of Christ’s clothing; and the pathos of his expression. The popularity of Sebastiano’s composition is reflected in the number of surviving variants that he created over the course of his career. The Art Institute’s version is an autograph replica of a painting—now in the Museo del Prado, Madrid—made for Jerónimo Vich y Valterra, the Spanish ambassador to Rome. Other versions survive in the State Hermitage Museum, Saint Petersburg; the Monasterio de las Descalzas Reales, Madrid; and the Szépmüvészeti Múzeum, Budapest. www.artic.edu/artworks/234781/christ-carrying-the-cross |
Date | |
Source | https://www.flickr.com/photos/kenlund/42702073024/ |
Author | Ken Lund |
Camera location | 41° 52′ 46.68″ N, 87° 37′ 22.2″ W ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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Licensing
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- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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This image was originally posted to Flickr by Ken Lund at https://flickr.com/photos/75683070@N00/42702073024. It was reviewed on 18 November 2022 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
18 November 2022
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current | 07:52, 18 November 2022 | ![]() | 3,000 × 4,000 (3.47 MB) | El Nuevo Doge (talk | contribs) | Uploaded a work by Ken Lund from https://www.flickr.com/photos/kenlund/42702073024/ with UploadWizard |
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Camera manufacturer | Canon |
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Camera model | Canon PowerShot SX280 HS |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/3.5 |
ISO speed rating | 800 |
Date and time of data generation | 13:28, 14 July 2018 |
Lens focal length | 5.447 mm |
Orientation | Rotated 90° CCW |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
File change date and time | 13:28, 14 July 2018 |
Y and C positioning | Co-sited |
Exif version | 2.3 |
Date and time of digitizing | 13:28, 14 July 2018 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 4.90625 |
APEX aperture | 3.625 |
APEX exposure bias | −0.66666666666667 |
Maximum land aperture | 3.625 APEX (f/3.51) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 16,393.442622951 |
Focal plane Y resolution | 16,393.442622951 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Custom process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |
GPS tag version | 0.0.3.2 |
Rating (out of 5) | 0 |