File:069-helpless-Pieces-of-the-Game-He-plays-q75-775x1147.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(775 × 1,147 pixels, file size: 119 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents
Description Helpless Pieces of the Game he Plays
Date
Source Omar Khayyam, tr. Edward Fitzgerald: “The Rubaiyat of Omar Khayyam” (1905, 1912) [1]
Author Adelaide Hanscom and Blanche Cumming (fl. 1902 - 1924).
Adelaide Hanscom Leeson  (1875–1931)  wikidata:Q1875363
 
Adelaide Hanscom Leeson
Alternative names
Adelaide Hanscom
Description American photographer and painter
Date of birth/death 25 November 1875 Edit this at Wikidata 19 November 1931 Edit this at Wikidata
Location of birth/death Coos Bay Pasadena
Authority file
creator QS:P170,Q1875363
Permission
(Reusing this file)
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

Summary

[edit]

In the picture, an old white-bearded man wearing a green robe and headband is holding one hand aloft and beckoning with the other.

LXV
The Revelations of Devout and Learn’d
Who rose before us, and as Prophets burn’d,
Are all but Stories, which, awoke from Sleep
They told their comrades, and to Sleep return’d.
LXVI
I sent my Soul through the Invisible,
Some letter of that After-life to spell:
And by and by my Soul return’d to me,
And answer’d “I Myself am Heav’n and Hell:”
LXVII
Heav’n but the Vision of fulfill’d Desire,
And Hell the Shadow from a Soul on fire,
Cast on the Darkness into which Ourselves,
So late emerged from, shall so soon expire.
LXVIII
We are no other than a moving row
Of Magic Shadow-shapes that come and go
Round with the Sun-illumined Lantern held
In Midnight by the Master of the Show;
LXIX
But helpless Pieces of the Game He plays
Upon this Chequer-board of Nights and Days;
Hither and thither moves, and checks, and slays,
And one by one back in the Closet lays.
LXX
The Ball no question makes of Ayes and Noes,
But Here or There as strikes the Player goes;
And He that toss’d you down into the Field,
He knows about it all—HE knows—HE knows!

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current12:02, 15 April 2006Thumbnail for version as of 12:02, 15 April 2006775 × 1,147 (119 KB)Liftarn (talk | contribs){{Information| |Description = Helpless Pieces of the Game he Plays |Source = Omar Khayyam, tr. Edward Fitzgerald: ''“The Rubaiyat of Omar Khayyam”'' (1905) [http://www.fromoldbooks.org/Fitzgerald-Rubaiyat/] |Date = 1905 |Author = Adelaide Hanscom and

There are no pages that use this file.

File usage on other wikis

The following other wikis use this file:

Metadata