File:清代噶瑪蘭暨其第二代匠師之匯集.jpg
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[edit]Description清代噶瑪蘭暨其第二代匠師之匯集.jpg |
中文(臺灣):林福春的「清代噶瑪蘭暨其第二代匠師之匯集」發表於1994年《美育雜誌》47期,作者整理清代自嘉慶至宣統間的傳統寺廟匠師,約計八十餘人,包括佛像、花鳥、人物雕刻,大小木作,剪粘,泥水,瓦作,石作,彩繪等項目,另外尚有泥塑、蠶絲造像、樹藤造像匠師等。書中以光緒元年作為界線,分為第一代與第二代匠師,把第二代匠師涵蓋於光緒元年至宣統年間。由於第二代匠師其創作技法與精神,上承第一代匠師傳統工法,又接受到日治時代的建築風格,頗有創作之藝術。而自此之後的匠師,則由於材質逐漸改變中,傳統雕刻技法也漸漸失傳,著重現代工法的大量製作,已失去了早期匠師的創作藝術精神,大量複製終至難登藝術殿堂,技法流於因循,無形中斷送了藝術的生命。
書中為了彰顯清代葛瑪蘭第二代匠師對於民俗藝術的貢獻,詳細羅列作者花了四年餘田野調查的資料,包括1、佛像、花鳥、人物雕刻;2、大小木作;3、剪粘、泥水、瓦作;4、石作;5、彩繪等。最後並舉出匠師中之翹楚,來說明清代噶瑪蘭暨其第二代匠師之匯集盛事。 |
Source | https://memory.culture.tw/Home/Detail?Id=512659&IndexCode=Culture_Object |
Author | 創作者:林福春。貢獻者:林福春 |
Camera location | 25° 01′ 56.35″ N, 121° 30′ 43.42″ E ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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